Bionic

游走在争议性的边缘，勇于正视世俗的眼光，打从唱花木兰的那位清纯邻家女孩、蜕变成性感喷火的红磨坊女郎、再到玩弄复古美感的绝代女伶，呈现大胆前卫的音乐概念，忠实记载十年成长岁月。最具原创性的完整作品，缔造全球超过3000万张专辑销售、风光赢取4座格莱美的喝采、4首全美冠军单曲、全球6座MTV音乐奖、2座世界音乐奖。拥有百变造型、潮流装扮、无限话题、优嗓美声，Christina继续编写她无所不能的精灵神话！

　　

　　MTV“音乐界22位绝佳优嗓（前五名）”、滚石杂志“史上百位伟大歌手”行列中唯一年纪低于30岁的Christina，于1999年发行首张处女秀 《Christina Aguilera》，入列摇滚荣誉殿堂“200张概念明确专辑”、告示牌“2000年代热门200张专辑”名单，抱走格莱美“最佳新人”肯定。第二张大碟 《裸Stripped》，力求突破的全面摇滚解放，抢下第一座格莱美“最佳流行女歌手”大奖加冕。2006年的《天生歌姬Back To Basic》，第二座葛莱美“最佳流行女歌手”得意入手！西班牙文专辑《Mi Reflejo》，不仅戴上世界音乐奖“全球最畅销拉丁女艺人”后冠，更成为首位美国艺人拿下拉丁格莱美的至高荣耀。

　　

　　久违四年的全新录音室大碟《Bionic》，化身前卫高科技的未来女神形象，敲打出时髦的电气声响，Christina毫无畏惧的挑战自我，引领音乐新潮流的突破再升级！把玩Electro-Pop的第一主打“Not Myself Tonight”，狂野满点的揪出内心小恶魔，随乐放肆摇摆热舞，交付亚瑟小子、小野猫幕后金手Polow da Don操刀，快速挺入全美电台新歌点播冠军、流行+舞曲榜Top30之林；奥斯卡+格莱美+水星音乐奖提名、时代杂志“全球百大影响力人物”的M.I.A.跨刀“Elastic Love”，张牙舞爪的吞噬Synth-Pop和Raggae律动；格莱美加持的Tricky Stewart（惠妮休斯顿、玛丽亚凯莉）掌舵“Desnudate”，替换英、西语文诠释，灌入拉丁式的热情频率，血脉喷张的闪耀异色世界性感线条；最具个性的Linda Perry（席琳狄翁、红粉佳人）量身订作抒情动容曲目“Lift Me Up”，辅以弦乐悠扬伴衬，打造Christina的美声极品；19秒的“My Heart”录下老公和宝贝儿子可爱对话；找来曾列入滚石杂志“年度十大注目焦点”之一的才女Sia合力撰写“All I Need”、“You Lost Me”等小品，柔美琴韵穿绕回荡，触碰都会男女情爱分合的苦痛与喜悦各层面，激起片片感同身受的涟漪；“I Hate Boys”、电子摇滚暴力女王Peaches帮腔之“My Girls”，都是女性意识抬头的主题歌。

Already during the Asian leg of the Back to Basics Tour in Summer of 2007, Aguilera said that her upcoming album will be "short, sweet and completely different" from her previous long player Back to Basics. After the birth of her son, Christina stated in an interview with Ryan Seacrest that her forthcoming album will include a totally new aspect of herself as an artist, because of the pregnancy with her son.Aguilera has stated in the past that she takes her time between each record in order to enjoy and experience life so that musically and artistically she produces the best material.

On her official website, Aguilera revealed: "Working on this album with so many talented artists and producers that I admire was really an amazing experience. The artists I chose to work with added so many unique sonic layers to Bionic. My intention was to step into their world and what they do combined with my own vision and sound. The results were magic."

Aguilera describes the album as a unique mix of many genres and styles of music: "I was able to explore and create a fresh, sexy feel using both electronic and organic elements with subject matter ranging from playful to introspective. I am so excited for my fans to hear the new sound. It is something I don't think anyone will expect."

Aguilera posted a personal message on her official website to her fans on April 7, 2010 talking about the album:

“ Each album I release is a representation of my personal life experiences and how they have shaped me. ... Over the past four years I have learned a lot about myself and what I am capable of. ... Since the release of my last studio album, Back to Basics, I have become a mother, a wife, and most recently an actress. All of these new experiences have allowed me to face new challenges and explore different sides of myself I did not even know existed. ... This album was put together to capture all of these characteristics [therefore] I chose to collaborate with a variety of artists and producers across different musical genres. I was able to explore and create a fresh, sexy feel using both electronic and organic elements with subject matters ranging from playful to introspective. This allowed me to challenge myself by using my voice in ways I never had before. It also allowed me to push personal boundaries and explore what is possible for my future and me as an artist.

从刚面世时各种批判各种踩，这专被各路人马说成了ca妈急于从gaga手里抢回自己流行女王的地位而草草出手的半成品到现在重新被人们捧上神坛，这各种心酸想必只有ca妈自己知道吧，就想当年的大话西游，不同的是周星驰依然屹立不倒，可是ca妈却已经日薄西山了，真的很可惜

擦妈的电音一点都不友好 侵虐性太强

从没觉得这专不是神专，只能说美国人民有了鳖，就神秘flop了，希望和懒妮一样后来第三春吧

这专百分之十怪soon太久，百分之七十怪阿肯带节奏黑擦，还剩百分之二十怪擦不肯解释，直接放飞自我[流泪]

个人感觉 把其中一部分歌删掉以后 是一张4星以上的专辑 CA的通病就是每张都会塞很多乱七八糟的歌曲[汗] 这也是她乐评分数总是上不去的一大原因

这张唱片如果精简一下，留下10歌或许好很多。电音唱片最避讳的就是雷同拖沓。又长又吵。

这个封面在脑海记忆犹新过目不忘很高级

mtc56也能叫神专么，乐评人又不是聋了

是的，塞太多抒情歌和实验小品了，电音专辑舞曲为主，一两首抒情缓冲就好…

先把back to basic打对了再说别的成名亲

说生化曲风太杂是不假，但是麦奶的like a prayer冗杂的曲风就被捧上神坛，说是对多种风格的新尝试，只能说是生不逢时。后来才有了莲花那个真正的应付， 现在只是希望ca可以重新振作起来。

D*Face 设计的封面，复古精致不失街头感。或许这正是专辑意图，复古女伶走进当代都市的街头解放自我。电子元素是点缀，而非一脚跨到了未来。只是呈现不节制。高亢怒音不性感，抒情歌曲百转千回更好听。歌曲排序也奇怪。浪够了，开始寻找亲密感，睡完了，开始骂男人。一个作品真的不用塞进这么多概念。

笑死，“擦被夺去流行女王的地位”这种话也能说的出来[大哭]她什么时候带领过流行了●影响最广泛的不是爵士专back to back么？某些群体一如既往地瞎吹[惊恐]

这专感觉很想嘎嘎后面出得artpop，都是超前的电音水准[流泪]而且都包含了抒情歌曲，真的超棒啊 我觉得时代真的应该对这一类型的专辑温柔一点，不要一出就flop现在不管爱不爱听都必须承认高超的制作水准呀！

三首intro删掉或者融入前后歌曲，再把I am, I hate boys, my girls三首粪曲删掉，然后豪华版的Monday morning，Birds of Prey，Little Dreamer收进来，总曲目15首，不长不短刚刚好，那这张就是大神专了

宁可真厉害，空口鉴粪专，宁就是鉴赏大师？

这张专辑封面简直就是艺术品，棒极了！

没想到擦妈竟出过如此神的专辑[呆]之前一直觉得她的歌很一般，也不明白为什么是流行天后。。。原来是自己打开方式不对，瞎了眼了