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加拿大制作人乔尔·齐默曼(Joel Zimmerman,即deadmau5) 拥有超大号，发光的鼠标头面具和诸如“奖励是奶酪”和“松鼠之歌”之类的歌名，但由于他的品牌含蓄而低调，他避免了任何花哨的新颖行为标签。这张专辑中也同样收录了如Minimal Techno，Euphoric House以及Chill-out Trance风格的曲目。接下来你可能会有些失望，因为除了与美国DJ Kaskade合作的人声，节拍，音色完美融合的20强曲目《I Remember》外，受Daft Punk影响的开场曲《Sometimes Things Get,Whatever》是整张专辑中唯一包含人声的曲目。相反，这张专辑收录了一首深受Tïesto赞赏的舞池作品《Arguru》，该曲是为纪念曾参与FL Studio开发与Psy Trance发明的已故制作人Juan Antonio Arguelles Rius而作。Tribal Progressive House的《Complications》，Warped Techno的《So There I Was》以及受到范吉利斯影响的《Faxing Berlin》(该专辑收录了钢琴版与原版)，带有极简色彩却千变万化的《Alone With You》以及华丽的《Brazil (2nd Edit)》。虽然更多的声乐旋律可以弥补这张专辑的有限与重复，但这并不足以证明超过七十分钟的总时间是合理的。这张专辑显示了许多希望，暗示乔尔将来会制作出经典作品，但它的丰富的律动感与曲折颤抖的性质使它比连贯的录音室专辑更像是他DJ唱片的录制。

Despite his oversized, illuminated mouse-head mask and song titles like "The Reward Is Cheese" and "A Song About Squirrels," Canadian producer Joel Zimmerman, aka Deadmau5, has avoided any gimmicky novelty act labels thanks to his subtle and understated brand of electronica, which incorporates everything from minimal techno to euphoric house to chilled-out trance, a sound he continues to pursue on third studio album, Random Album Title. Those only familiar with his breakthrough Top 20 collaboration with U.S. DJ Kaskade, "I Remember," a blissful blend of spacious synths, hypnotic beats, and the silky smooth tones of Haley Gibbs, may be slightly disappointed, as apart from the robotic narration on the woozy, Daft Punk-inspired opener "Sometimes Things Get, Whatever," it's the only vocal-led track on the entire album. Instead, the follow-up to 2006's Vexillology concentrates on the kind of instrumental epics favored by the likes of Tïesto, with hands-in-the-air floor-filling anthems like "Arguru," a dirty bass-led tribute to the late music software programmer Juan Antonio Arguelles Rius, the tribal progressive house of "Complications," and the warped techno of "So There I Was," nestling alongside after-party comedowns like the Vangelis-influenced "Faxing Berlin" (featured here in its original and piano acoustic versions), the kaleidoscopic minimalism of "Alone with You," and the gorgeous Chicane-esque dream trance of "Brazil (2nd Edit)," the track cleverly sampled to great effect by both Kylie Minogue and Alexis Jordan. Indeed, it's a shame that Deadmau5 himself didn't utilize the latter song's potential himself, as a few more vocal melodies might have compensated for the album's sparse repetitive production, which isn't interesting enough to justify the over-long 70-minute running time. Random Album Title shows enough promise to suggest that Deadmau5 could produce a classic in the future, but its self-indulgent, knob-twiddling nature makes it feel more like a recording of one of his DJ sets than a coherent studio album.

2008年。。。。我还在听北京欢迎你呢。。

Random Album Title R.A.T. RAT Rat 老鼠[大哭]

老鼠神专，这专不听并不好意思说实是老鼠fans

全专都是连着的，耗子牛逼

当年耗子是真的火，这张专辑作为一张电音砖在美国Billboard200上最高排名第四，要知道商业化典范塔叔的专辑最高也是第四

《随机专辑标题》显示了足够的希望，暗示Deadmau5将来可能会制作出经典作品，但它的自我放纵，曲折颤抖的性质使它比起连贯的录音室专辑更像是他DJ唱片的录制。

那些只熟悉他与美国DJ Kaskade突破性的前20名合作的人“我记得”，宽敞的合成器，催眠节拍和海莉·吉布斯丝般柔滑的音调完美融合，除了机器人的旁白之外，达夫·庞克（Daft Punk）启发的狂热开场曲“ Sometimes Things Get，Whatever”，这是整张专辑中唯一由人声主导的曲目。

尽管加拿大制作人乔尔·齐默曼（Joel Zimmerman）（又名Deadmau5）拥有超大号，发光的鼠标头面具和诸如“奖励就是奶酪”和“松鼠之歌”之类的歌名，但由于他的品牌含蓄而低调，他避免了任何花哨的新颖行为标签。

electronica融合了从最低限度的电子技术到欣快的房子到令人发呆的发呆等所有内容，他继续在第三张录音室专辑《 Random Album Title》中追求这种声音。

这个专辑现在就是个烂摊子 想个方法处理下

北京奥运会的宣传曲之一《好运北京》的作者是giorgio moroder哦

《随便起个专辑标题》里的歌可一首都不随便[开心]

鼠爷做音乐的态度和起名字的态度形成鲜明对比[大哭]

紧随晚会降级之后，例如受Vangelis影响的“ Faxing Berlin”（此处有其原始内容和钢琴原声版本），“与你同行”的千变万化的极简主义以及“巴西（第二次编辑）”的华丽的坎恰式梦幻tr，凯莉·米洛格和亚历克西斯·乔丹巧妙地采样了这首曲目。

我还以为这个老鼠又随意起标题!! 这次算错怪了 呼