Bach: Cello Suites Nos. 1, 5 & 6

Bach: Cello Suites Nos. 1, 5 & 6

歌手:
时间:2015-08-26

Bach: Cello Suites Nos. 1, 5 & 6-马友友曲目列表

#
歌曲 歌手 时长
1
Cello Suite No. 1 in G Major, BWV 1007:I. Prélude
G大调第1号大提琴组曲,BWV 1007 - 1, “前奏曲”
SQ

02:31

2
Cello Suite No. 1 in G Major, BWV 1007:II. Allemande
G大调第1号大提琴组曲,BWV 1007 - 2, “阿勒曼德舞曲”
SQ

03:46

3
Cello Suite No. 1 in G Major, BWV 1007:III. Courante
G大调第1号大提琴组曲,BWV 1007 - 3, “库朗舞曲”
SQ

02:25

4
Cello Suite No. 1 in G Major, BWV 1007:IV. Sarabande
G大调第1号大提琴组曲,BWV 1007 - 4, “萨拉邦德舞曲”
SQ

02:56

5
Cello Suite No. 1 in G Major, BWV 1007:V. Menuets I & II
G 大调第一大提琴组曲 ,BWV 1007:5. 小步舞曲 I & II
SQ

03:05

6
Cello Suite No. 1 in G Major, BWV 1007:VI. Gigue
G大调第1号大提琴组曲,BWV 1007 - 6, “吉格舞曲”
SQ

01:54

7
Cello Suite No. 5 in C Minor, BWV 1011:I. Prélude
c小调第5号大提琴组曲,BWV 1011 - 1, “前奏曲”
SQ

06:18

8
Cello Suite No. 5 in C Minor, BWV 1011:II. Allemande
c小调第5号大提琴组曲,BWV 1011 - 2, “阿勒曼德舞曲”
SQ

05:22

9
Cello Suite No. 5 in C Minor, BWV 1011:III. Courante
c小调第5号大提琴组曲,BWV 1011 - 3, “库朗舞曲”
SQ

01:56

10
Cello Suite No. 5 in C Minor, BWV 1011:IV. Sarabande
c小调第5号大提琴组曲,BWV 1011 - 4, “萨拉邦德舞曲”
SQ

03:18

11
Cello Suite No. 5 in C Minor, BWV 1011:V. Gavottes I & II
c小调第五大提琴组曲,BWV 1011:V. Gavottes I & II
SQ

04:15

12
Cello Suite No. 5 in C Minor, BWV 1011:VI. Gigue
c小调第5号大提琴组曲,BWV 1011 - 6, “吉格舞曲”
SQ

02:38

13
Cello Suite No. 6 in D Major, BWV 1012:I. Prélude
D大调第6号大提琴组曲,BWV 1012 - 1, “前奏曲”
SQ

04:12

14
Cello Suite No. 6 in D Major, BWV 1012:II. Allemande
D大调第6号大提琴组曲,BWV 1012 - 2, “阿勒曼德舞曲”
SQ

07:02

15
Cello Suite No. 6 in D Major, BWV 1012:III. Courante
D大调第6号大提琴组曲,BWV 1012 - 3, “库朗舞曲”
SQ

03:43

16
Cello Suite No. 6 in D Major, BWV 1012:IV. Sarabande
D大调第6号大提琴组曲,BWV 1012 - 4, “萨拉邦德舞曲”
SQ

04:31

17
Cello Suite No. 6 in D Major, BWV 1012:V. Gavottes I & II
巴赫:作品号:BWV 1012 D大调第六大提琴组曲 - 5, 加沃特舞曲I/II
SQ

03:27

18
Cello Suite No. 6 in D Major, BWV 1012:VI. Gigue
D大调第6号大提琴组曲,BWV 1012 - 6,“吉格舞曲”
SQ

03:52

Bach: Cello Suites Nos. 1, 5 & 6-马友友热门评论

封面是美国摄影师Richard Misrach的作品。“我的作品是客观叙事和丰富隐喻的美学结合。”

每当听到好曲子,心中总会涌现出一股浓浓的熟悉感与亲切感,一种泪如泉涌,一种相见恨晚。

为啥要互相比较?这个境界的大师,已经没有啥高低之分,都是把自身的感悟融进了音乐,技术上都没得挑剔的时候就进入了音乐性上的领域,相同经历的人听相同经历的音乐,会有非常的触动,可能有人听马友友的觉得感触至深,有人听史塔克的版本觉得非常震撼,所以只是音乐上体现的不同,没有啥高低之分

“巴赫写的是生命的模板,生命的枯燥,厚积薄发,偶尔失控,你可以把自己任何的故事放进去”