Khepera

by Richard S. Ginell

The team of Randy Weston, composer/pianist, and

Melba Liston

, arranger, returns triumphantly to the territory carved out by

The Spirits of Our Ancestors

-- only not at quite such length (just one CD) and with a new thrust, exploring ancient connections between African and Chinese cultures. The CD opens with a mighty building crash of percussion and continues in a kind of freeform depiction of creation, with

Pharaoh Sanders

-- in thrilling form throughout much of the album -- honking and evoking ancient spirits. A tragic grandeur sets in, the Chinese elements are evoked, and then midway through the record, the concept loses its train of thought; the rest of the album becomes a series of disconnected pieces (the theme of "Niger Mambo" threatens to break into "Puttin' On the Ritz" at any moment). The Chinese aspects of the music, signaled by the use of

Min Xiao Fen's

pipa (a Chinese lute) on a couple of tracks, are heavily outweighed by the thundering African percussion, so the ramifications of such a fusion aren't explored too thoroughly. However, Weston's impressions are almost always compelling anyway, with lots of mesmerizing vamps and passages that sometimes evoke

John Coltrane's

feelers into African music on

Kulu Se Mama

.

Liston

only has three wind voices to work with this time --

Sanders

,

Benny Powell

on trombone and

Talib Kibawe

on reeds -- and she makes subtle use of them. This is, in any case, a powerful, even visionary piece of work for any musician, let alone one in his early 70s.