148

【译者注：汉化翻译可能存在谬误，英文原文在汉化文本下方】

《148》献给所有忘记“1”该放在哪里的人

《148》是一首由浩室音乐写成的抒情 ballad

《148》是一系列从未找到归属的音乐作品

《148》是一次与杰出艺术家的合作

《148》关乎抑郁

《148》也适合跳舞

《148》是当《Minecraft》不再“治愈”的时刻

《148》在任何时候都完全没有任何“放松感”

《148》就是 418774418774418774418774418774418774

让我们来聊聊它。

前三个曲目——《Semantic Satiation》、《Septic Shock》和《Seismic Stratigraphy》——是我称之为“浩室抒情曲”（house ballad）的作品。这是对我过去“工蜂”生活的致敬。它们讲述的是过着极其平庸工作生活时那种麻木的情绪，以及孤独、无人相伴的感受。

《Droopy Remembers》是对《我的世界》中Droopy系列歌曲的重新演绎，但这次更“炫酷”了些。

《Kompass》是《Fez》中某首曲子的混音版，但以后摇滚（post-rock）的方式呈现。我想Rich应该会喜欢。

《185》是我与Baiyon的合作曲目，融合了我那永不停歇的浩室节奏，以及Baiyon对极简科技舞曲（minimal techno）的精湛掌握。

《Jimtention》是我对过去“BGC418”风格的延续。Jimmy发行了新专辑，而我则创作了一首新的“Jimmyfication”。

《Friend》是一条隐秘的信息，送给那些讨厌我却仍坚持关注我的推特粉丝。为什么？请放过我吧。你们根本不是我的朋友。

《Vierton》、《Aria Economy》、《Biome Party》和《Beta》都是我对部分《我的世界》歌曲的混音版，但这次它们真正变得适合跳舞，而不仅仅是用来放松。

在《481772》中，我原本想加入一些诗意的歌词，但我实在不擅长文字，最后只好放弃。不过我认为即使没有演唱，这首曲子本身依然非常出色。

《Ample Time》是在我因工作出国时，因合作公司一团混乱而感到极度沮丧时创作的。我就是在等待他们时写下了这首歌。

《Habitual Crush》明显暗示了我当时在人际关系上的困惑。我的感情生活一直很艰难，因为我总是同时喜欢很多人。也许不是每一种都是“爱慕”，更多是珍视每一个人，但这种情感可能看起来像是我想和他们约会，哈哈。

《Round Up to the Inevitable End》可能是整张专辑中最好的一首歌。它既是鼓打贝斯（Drum and Bass），又带有一点我称之为“还不赖的Dubstep”风格，哈哈哈。

《841》是《148》的尾声。它既是在告别，也是在问候。它本可以作为开场曲，但那又如何？毕竟，这张专辑已经结束了。

148 is dedicated to everyone that forgets where the 1 goes

148 is a ballad made of house music

148 is a collection of music that never fit anywhere

148 is a collaboration with great artists

148 is about depression

148 is for dancing

148 is when minecraft has no chill

148  at all times has not a single chill

148 is 418774418774418774418774418774418774

Let’s talk about it.

The first three songs, “Semantic Satiation,” “Septic Shock,” and “Seismic Stratigraphy” are what I like to call house ballad. An ode to my previous life, as a worker bee. It’s all about the dull emotions of having a super mediocre work life. And about being lonely and not having anyone to hang out with.

“Droopy Remembers” is a reimagining of the Droopy songs on Minecraft, but more pimp.

“Kompass” is a remix of one of the songs in Fez, but sort of as a post rock thing. I think Rich likes it.

“185” is a collaboration between Baiyon and me, a sort of mix of my neverending house rhythm and Baiyon’s impeccable knowledge of minimal techno.

“Jimtention” is my continuation of what “BGC418” used to be. Jimmy made a new album and I made a new Jimmyfication.

“Friend” is a secret message to all the Twitter followers who hate me but still insist on following me. Why? Leave me alone. You are not my friend.

“Vierton,” “Aria Economy,” “Biome Party,” and “Beta” are all remixes of some of my Minecraft songs, but actually danceable, not just chill.

For “481772” I wanted to kind of get some sort of poem on top of it all, but I am no good with words, so I kinda gave up on it. However I think the track is still super good even without any voice.

“Ample Time” was a song made out of frustration when I had to work abroad for a company that couldn’t get their shit together. I just wrote this song while waiting on them.

“Habitual Crush” is kind of an obvious hint that I was very confused about relationships. Love life has always been hard for me because I love a lot of people at the same time. Like, maybe not as a crush, but more as I cherish people very dearly, and it might look like I wanna date them, haha.

“Round Up to the Inevitable End” is probably the best song on the entire record. It’s both Drum and Bass and something that I would call not bad Dubstep, hahahaha.

“841” is the outro to “148”. It says goodbye as much as it says hello. It could have been the intro, but does it matter? No, cuz the album is done and over.

148是一个有活力的大声调的House专辑，由鼓和贝司演奏。有House乐曲，有很酷的艺术家与C418合作的作品，也有一些惊喜，像C418只在现场表演过的Minecraft混音 ---C418 Bandcamp上的介绍，自己简单翻译了一下

全专都能连贯着听真的是一种特殊的享受

希望大家听到C418不会只想到Minecraft