There

“There” is the long-waited 2nd album of The fin., indie band born in Kobe.

First release since they chose London as a base, the album has benefited from the location : the production was done at Dean Street Studio by none other than Bradley Spence, well known for his works as a producer for Jamiroquai, Passenger or Alt-J and for his mixing for Radiohead. The mastering has been once again handled by Joe Lambert, who has worked with big names such as Beach Fossils, Wild Nothing, Washed Out or Warpaint. Among the 13 tracks of the album figure “Pale Blue”, “Afterglow” and “Outskirts”, 3 songs whose earlier release on streaming platforms have quickly drawn attention all over the world and led them to get selected on some of the hottest new tracks playlists, such as UK’s and France’s Spotify’s “New Music Wednesday”. The album also includes new versions of “Through The Deep” and “Heat”, two songs featured on their EP released in March 2016 that have been re-mixed and re-arranged in London for the occasion.

3.6还有93天高考加油＾０＾~

那天去old blue last看他们唱歌了，去早了，看到他们试音，开始前他们就在我面前走来走去，我都没有勇气和他们打招呼，我就像个傻子站在那里看着他们，这是我永远的遗憾了吧

想听这个风格就来听the fin.，想听别的风格就去听别的乐队。他们又不是偶像，更不是全能偶像，为什么非得全面开花？？

我从the fin出一专到现在几年了仍然痴迷喜欢，经常听，喜欢的就是这样的风格，万物都有“不变中之变”，音乐也是如此。如果能称之为歌迷的都是仍然在支持和喜欢他们的，不存在这种你后半句的说法，但反而如果会觉得重复厌烦的也不存在是歌迷的说法。这种话说出来就矛盾。

为什么 哪里都有高考的评论...我真的受够了...

音乐它拥有绝对的包容性 它需要听众 但请保持尊重 对于任何一种艺术性审批 在我看来就是狭隘 音乐是用来听的 闭上嘴巴…

音乐风格新颖，专辑也有质量。可是个人觉得编曲风格实在是过于单一了，尽管走的是这种有些慵懒魔幻的风格，但编曲风格其实也可以多样化。小建议，嗯，不是喷子也不是路人，听过所有的专辑❤️。

自己不喜欢就说别人喜欢是zhuangbi

今晚在杭州MAO被踩了五百脚

周六即将二刷the fin[开心]✌🏻