Let There Be Rock

★美国“摇滚名人殿堂”、澳洲“唱片工业协会名人殿堂”之两亿销量传奇乐团，1977年发行第四张录音室专辑

★全美一路热卖500万张，入选Q杂志“史上50张最重量级专辑”名单。仍交付由澳洲音乐史上首支赢取国际成功乐团的The Easybeats成员Harry Vanda和George Young联手操盘

★〈Let There Be Rock〉成为电玩《摇滚乐团2》的重点衬乐；Guns N’ Roses最爱翻唱之〈Whole Lotta Rosie〉，写下荷兰单曲榜NO.5，英国曾在1980和2012年两度登榜，分别攻上第36和第68位

Let There Be Rock, the fourth AC/DC album -- and first to see simultaneous international release -- is as lean and mean as the original lineup ever got. Shaved down to the bone -- there are only eight tracks, giving this a lethal efficiency even with a couple of meandering jams -- this is a high-voltage, brutal record, filled with "Bad Boy Boogie." It has a bit of a bluesier edge than other AC/DC records, but this is truly the sound of the band reaching its peak. There's the near majesty of "Let There Be Rock," there's Bon Scott acknowledging with a wink that "Hell Ain't a Bad Place to Be," and then there's the monumental "Whole Lotta Rosie." Which gets down to a key thing about AC/DC. If Led Zeppelin were celebrating a "Whole Lotta Love," AC/DC got down to the grimy details in their leering tribute to the joys of sex with a plus-sized woman. And that's AC/DC's allure in a nutshell -- it's sweaty, dirty, nasty rock, music that is played to the last call and beyond, and they've rarely done that kind of rock better than they did here. 

以后再有人说angus不行，就把整张let there be rock塞他嘴里

77年四专，风格稳固的一匹