The Man-Machine

The Man-Machine is closer to the sound and style that would define early new wave electro-pop -- less minimalistic in its arrangements and more complex and danceable in its underlying rhythms. Like its predecessor, Trans-Europe Express, there is the feel of a divided concept album, with some songs devoted to science fiction-esque links between humans and technology, often with electronically processed vocals ("The Robots," "Spacelab," and the title track); others take the glamour of urbanization as their subject ("Neon Lights" and "Metropolis"). Plus, there's "The Model," a character sketch that falls under the latter category but takes a more cynical view of the title character's glamorous lifestyle. More pop-oriented than any of their previous work, the sound of The Man-Machine -- in particular among Kraftwerk's oeuvre -- had a tremendous impact on the cold, robotic synth pop of artists like Gary Numan, as well as Britain's later new romantic movement. 

就和一些科技一样，很多东西在很早的时候就被一些很厉害的人的掌握了。

唱片封面的构图取自俄国结构主义大师 El Lissitzky 强硬的对角斜纹布局，它棱角分明的线条正符合 Kraftwerk 想表现的机器、动力等意想，乐队成员身着大红色的衬衫和漆黑色的领带，极富挑战性

说是电音界的披头士不过分吧

摇滚界还有一堆大佬（叫着）抢座，但发电站在电音界就没啥争议了

🕯️Kraftwerk初创成员之一Florian Schneider去世了，73岁。今年是Kraftwerk成军50周年，虽然Florian Schneider是在2008年就离开了乐队。（转自：大胡子阿细）

可能在电子音乐界比披头士在摇滚界的地位更高

xxx未解之谜：你永远也不知道滑铁卢黄昏和流亡大街到底在多少专辑里发过评论[呆]

是电子音乐的老祖宗！！！

太逗了 虾米只有robot一首 xxx就robot一首没有

我国十一届三中全会[大哭]改革春风还没吹

日本翻译这张是人间解体，稀饭儿嘻嘻

《人机》(德文:Die Mensch-Maschine)是德国电子乐队Kraftwerk的第七张录音室专辑。它在1978年5月19日由克林巴生在德国和由国会记录在其他地方发行。他们机械风格的进一步细化，这张专辑看到了更多的舞蹈节奏和更少的极简安排。它包括单曲《模型》和《机器人》。

他们很会应用，可也不叫发明

Pitchfork评选出的70年代最伟大的100张唱片:第92名

78年……这歌放到现在都不觉得过时，太超前了

我硬是多打一个“的”[小鸡]。就很烦[小鸡][小鸡][小鸡]