Velvett Fogg

From the weird name, as well as song titles like "Yellow Cave Woman" and "Plastic Man," you'd expect something a little more interesting than routine late-'60s British psychedelia. However, that's what you get on this rarity, from a group which gave more prominence to heavy organ riffs than the typical outfit of the era. There's no gripping vision or focus -- "Yellow Cave Woman" is a basic riff and lyric that keeps on going for several interminable minutes without variation; "Come Away Melinda" is an odd hard rock cover of the anti-war folk tune; "Owed to the Dip" is a long formless organ instrumental; and "New York Mining Disaster 1941" a strange, pointless Bee Gees cover. The album meanders so directionlessly that it is kind of weird, but in a boring way.