Dottie West

Dottie West

多蒂•韦斯特是纳什维尔声音时代最成功、最有争议、最受欢迎的演员之一. “第七届最佳西部乡村女艺人: Dottie West《Here Comes My Baby

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Dottie West个人资料

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by Jason Ankeny Dottie West was one of the most successful, and controversial, performers to rise to popularity during the Nashville sound era; like her friend and mentor Patsy Cline, Wests battles for identity and respect within the male-dominated country music hierarchy were instrumental in enabling other female artists to gain control over the directions of their careers. Born Dorothy Marie Marsh outside McMinnville, TN, on October 11, 1932, she was the oldest of ten children; after her abusive, alcoholic father left the family, her mother opened a small cafe. Dottie began appearing on local radio just shy of her 13th birthday and went on to study music at Tennessee Tech, where she also sang in a band; the groups steel guitar player, Bill West, became her first husband in 1953. After graduation, the Wests and their two children moved to Cleveland, OH; there, Dottie began appearing on the television program Landmark Jamboree as one half of a country-pop vocal duo called the Kay-Dots alongside partner Kathy Dee. At the same time, West made numerous trips to Nashville in the hopes of landing a recording deal; in 1959, she and Bill auditioned for Stardays Don Pierce and were immediately offered a contract. Although the resulting singles West cut for the label proved unsuccessful, she nonethless moved to Nashville in 1961. There, she and her husband fell in with a group of aspiring songwriters like Willie Nelson, Roger Miller, Hank Cochran, and Harlan Howard; they also became close friends with Cline and her husband Charlie Dick.

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