Bach, J.S.: Art of Fugue

The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:Contrapunctus 4-Pierre-Laurent Aimard

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The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:Contrapunctus 1-Pierre-Laurent Aimard
The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:Contrapunctus 2-Pierre-Laurent Aimard
The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:Contrapunctus 3-Pierre-Laurent Aimard
The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:Contrapunctus 5-Pierre-Laurent Aimard
The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:Contrapunctus 6. a 4 in Stylo Francese-Pierre-Laurent Aimard
The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:Contrapunctus 7. a 4 per Augmentationem et Diminutionem-Pierre-Laurent Aimard
The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:Contrapunctus 8. a 3-Pierre-Laurent Aimard
The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:Contrapunctus 9. a 4 alla Duodecima-Pierre-Laurent Aimard
The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:Contrapunctus 10. a 4 alla Decima-Pierre-Laurent Aimard
The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:Contrapunctus 11. a 4-Pierre-Laurent Aimard
The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:Contrapunctus inversus 12.1 a 4-Pierre-Laurent Aimard
The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:Contrapunctus inversus 12.2 a 4-Pierre-Laurent Aimard
The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:Contrapunctus inversus 13.1 a 3-Pierre-Laurent Aimard
The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:Contrapunctus inversus 13.2 a 3-Pierre-Laurent Aimard
The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:14. Canon alla Ottava-Pierre-Laurent Aimard
The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:17. Canon alla Decima in Contrapunto alla Terza-Pierre-Laurent Aimard
The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:18. Canon alla Duodecima in Contrapunto alla Quinta-Pierre-Laurent Aimard
The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:15. Canon per augmentationem in Contrario Motu-Pierre-Laurent Aimard
The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:20. Fuga a 3 Soggetti (Contrapunctus 14)-Pierre-Laurent Aimard

The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:Contrapunctus 4-Pierre-Laurent Aimard相似歌曲

The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:Contrapunctus 4-Pierre-Laurent Aimard推荐歌曲

“Largo" from Concerto for Harpsichord in F minor, BWV 1056-Anne Akiko Meyers/English Chamber Orchestra & Steven Mercurio
Minuet in G, BWV Suppl. 114:Minuet in G Major, BWV A 114, and Minuet in G Minor, BWV A 115-Marshall McGuire
Air from Orchestral Suite No. 3 in D major, BWV 1068-Hamish Milne
The Art of Fugue, BWV 1080 - Edition prepared by Sir Neville Marriner & Andrew Davis:Contrapunctus 10 a 4 alla Decima-Academy of St. Martin in the Fields/Neville Marriner
The Art of Fugue, BWV 1080:Canon per Augmentationem in Contrario Motu-Christopher Hogwood
The Art of Fugue, BWV 1080 - Edition prepared by Sir Neville Marriner & Andrew Davis:Contrapunctus 11 a 4-Academy of St. Martin in the Fields/Neville Marriner
The Art of Fugue, BWV 1080:Contrapunctus inversus a 3 (Forma inversa)-Christopher Hogwood
The Art of Fugue, BWV 1080 - Edition prepared by Sir Neville Marriner & Andrew Davis:Contrapunctus inversus 12 a 4 (Forma recta)-Academy of St. Martin in the Fields/Neville Marriner/Carmel Kaine/Stephen Shingles/Malcolm Latchem/Kenneth Heath/John Gray
The Art of Fugue, BWV 1080:Fuga a 2 Clav.-Sir Andrew Davis/Christopher Hogwood
The Art of Fugue, BWV 1080:Contrapunctus inversus a 3 (Forma recta)-Christopher Hogwood
The Art of Fugue, BWV 1080 - Edition prepared by Sir Neville Marriner & Andrew Davis:Contrapunctus inversus 12 a 4 (Forma inversa)-Academy of St. Martin in the Fields/Neville Marriner/Carmel Kaine/Stephen Shingles/Kenneth Heath/John Gray
The Art of Fugue, BWV 1080:Alio modo. Fuga a 2 Clav.-Academy of St. Martin in the Fields/Neville Marriner
The Art of Fugue, BWV 1080 - Edition prepared by Sir Neville Marriner & Andrew Davis:Fuga a 3 Soggetti (unfinished)-Carmel Kaine/Malcolm Latchem/Stephen Shingles/Neil Black/Tess Miller/Cecil James/Celia Nicklin/Kenneth Heath/John Gray
Musical Offering, BWV 1079 - Ed. Marriner:Ricercar a 3-Nicholas Kraemer
Musical Offering, BWV 1079 - Ed. Marriner:Canon perpetuus super Thema Regium-Stephen Shingles/Nicholas Kraemer
The Art of the Fugue, BWV 1080:Contrapunctus I-Glenn Gould
The Art of the Fugue, BWV 1080:Contrapunctus II-Glenn Gould
The Art of the Fugue, BWV 1080:Contrapunctus III-Glenn Gould
The Art of the Fugue, BWV 1080:Contrapunctus IV-Glenn Gould
The Art of the Fugue, BWV 1080:Contrapunctus V-Glenn Gould
The Art of the Fugue, BWV 1080:Contrapunctus VI (a 4, im Stile francese)-Glenn Gould
The Art of the Fugue, BWV 1080:Contrapunctus VII (a 4 per Augmentationem et Diminutionem)-Glenn Gould
The Art of the Fugue, BWV 1080:Contrapunctus VIII (a 3)-Glenn Gould
The Art of the Fugue, BWV 1080:Contrapunctus IX (a 4, alla Duodecima)-Glenn Gould
The Art of the Fugue, BWV 1080:Contrapunctus I-Glenn Gould
The Art of the Fugue, BWV 1080:Contrapunctus II-Glenn Gould
Messiah, Part Three: I know that my redeemer liveth (soprano I)-Andrew Davis, The Toronto Symphony, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir
Messiah, Part Three: Since by man came death-Andrew Davis, The Toronto Symphony, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir
Messiah, Part Three: Behold, I tell you a mystery (bass)-Andrew Davis, The Toronto Symphony, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir
Messiah, Part Three: The trumpet shall sound (bass)-Andrew Davis, The Toronto Symphony, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir
Messiah, Part Three: Then shall be brought to pass the saying (counter-tenor)-Andrew Davis, The Toronto Symphony, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir
Messiah, Part Three: O death, where is thy sting (counter-tenor/tenor)-Andrew Davis, The Toronto Symphony, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir
Messiah, Part Three: But thanks be to God-Andrew Davis, The Toronto Symphony, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir
Messiah, Part Three: If God be for us (alto)-Andrew Davis, The Toronto Symphony, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir
Messiah, Part Three: Worthy is Lamb that was slain ... Amen-Andrew Davis, The Toronto Symphony, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir
The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:Contrapunctus 1-Pierre-Laurent Aimard
The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:Contrapunctus 2-Pierre-Laurent Aimard
The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:Contrapunctus 3-Pierre-Laurent Aimard

The Art of Fugue, BWV 1080 - later version of the original print edited by Christoph Wolff:Contrapunctus 4-Pierre-Laurent Aimard相关歌单