Romance & Caprice: Works for Solo Bassoon & Piano

Sonata, Op. 168 for Bassoon and Piano: III. Molto adagio, Allegro moderato-Frank Morelli/Gilbert Kalish

歌手：
Frank Morelli / Gilbert Kalish
专辑： Romance & Caprice: Works for Solo Bassoon & Piano

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Sonata, Op. 168 for Bassoon and Piano: III. Molto adagio, Allegro moderato-Frank Morelli/Gilbert Kalish同专辑其他歌曲

Romanzen, Op. 94 for Oboe and Piano (adapted for bassoon): I. Nicht schnell (F. Morelli)-Frank Morelli/Gilbert Kalish
Romanzen, Op. 94 for Oboe and Piano (adapted for bassoon): II. Einfach, innig (F. Morelli)-Frank Morelli/Gilbert Kalish
Romanzen, Op. 94 for Oboe and Piano (adapted for bassoon): III. Nicht schnell-Frank Morelli/Gilbert Kalish
Romance, Op. 62 for Bassoon and Piano: Romance, Op. 62 for Bassoon and Piano-Frank Morelli/Gilbert Kalish
Sonata, Op. 168 for Bassoon and Piano: I. Allegro moderato-Frank Morelli/Gilbert Kalish
Sonata, Op. 168 for Bassoon and Piano: II. Allegro scherzando-Frank Morelli/Gilbert Kalish
Three Arias from Il Barbiere di Siviglia: "Ecco ridente in cielo" (F. Morelli)-Frank Morelli/Gilbert Kalish/Harry Searing
Three Arias from Il Barbiere di Siviglia: "A un dottor della mia sorte" (F. Morelli)-Frank Morelli/Gilbert Kalish/Harry Searing
Three Arias from Il Barbiere di Siviglia: "Largo al factotum"-Frank Morelli/Gilbert Kalish/Harry Searing
Andante e Rondo Ungarese, Op. 35 for Bassoon and Piano: Andante-Frank Morelli/Gilbert Kalish
Andante e Rondo Ungarese, Op. 35 for Bassoon and Piano: Allegretto ungarese-Frank Morelli/Gilbert Kalish
Vocalise, Op. 34, No. 14 (adapted for bassoon): Vocalise, Op. 34, No. 14 (F. Morelli)-Frank Morelli/Gilbert Kalish
Fantasiestücke, Op.73 for Clarinet & Piano (adapted for bassoon) (F. Morelli)-Frank Morelli/Gilbert Kalish
Fantasiestücke, Op.73 for Clarinet & Piano (adapted for bassoon) (F. Morelli)-Frank Morelli/Gilbert Kalish
Fantasiestücke, Op.73 for Clarinet & Piano (adapted for bassoon) (F. Morelli)-Frank Morelli/Gilbert Kalish
Caprice, Op. 1, No. 24 for Violin (transcribed for bassoon): Caprice, Op. 1, No. 24 (F. Morelli)-Frank Morelli