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洛可可主题：带有典雅的风格。柴可夫斯基的《洛可可主题变奏曲》1876年，柴可夫斯基创作了《洛可可主题变奏曲》，题献给他的好朋友、著名大提琴家菲芩哈根，该曲于1877年11月30日在莫斯科首演。“洛可可”一词，源于法语ro-caill,意思为“贝壳形”。--自美丽的度娘

第一变奏：情绪活泼、轻快，就像无忧无虑的童年。第二变奏：大提琴与乐队一问一答，好似两人在亲切叙谈。第三变奏：优美如歌。轻轻淡淡的、苦涩中不乏甜美的，恍如青春的恋歌。第四变奏：欢歌乐舞，像人们在跳着典雅的舞蹈。

第五变奏：发挥了大提琴高音区的演奏技巧。里面的“华彩”技术难度之高在其它的大提琴独奏曲中也很少见。第六变奏：木管显出凄清，大提琴的独吟忧郁伤感，哀怨的情调，好似在述说着痛苦。第七变奏：在乐队的支持激励中，大提琴上下得力、左右逢源，并且带着自矜和舒坦，迅疾冲向辉煌的生命巅峰！

老柴：三个音之内你不沦陷算我输 [爱心]

洛可可源于法文ro- caille，意为“贝壳形”，指法国18世纪中叶表现于庭园布置、室内装饰等方面一种实用的艺术风格。其特点为强调富丽堂皇的外形和纤巧繁琐的装饰，在具体运用中强调不对称的各种漩涡形曲线和轻淡柔和的色彩。在音乐上，洛可可常指巴洛克到古典乐派过渡期的音乐作品风格。

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