COUPERIN: Apotheoses

L'Apothéose de Lulli:X. Apollo persuades Lully and Corelli that ... French and Italian styles would make perfection in Music: Essay in the form of an overture.-London Baroque

歌手：
London Baroque
专辑： COUPERIN: Apotheoses

L'Apothéose de Lulli:X. Apollo persuades Lully and Corelli that ... French and Italian styles would make perfection in Music: Essay in the form of an overture.-London Baroquemp3下载无损flac下载

L'Apothéose de Lulli:X. Apollo persuades Lully and Corelli that ... French and Italian styles would make perfection in Music: Essay in the form of an overture.-London Baroque在线试听免费歌词下载

L'Apothéose de Lulli:X. Apollo persuades Lully and Corelli that ... French and Italian styles would make perfection in Music: Essay in the form of an overture.-London Baroque同专辑其他歌曲

Le Parnasse, ou L'Apotheose de Corelli:I. Corelli at the foot of Mount Parnassus asks the Muses to welcome him amongst them.-London Baroque
Le Parnasse, ou L'Apotheose de Corelli:II. Corelli, enchanted by his favourable reception at Mount Parnassus, expresses his joy. He proceeds with his followers.-London Baroque
Le Parnasse, ou L'Apotheose de Corelli:III. Corelli drinks at the well of Hypocrene. His followers proceed.-London Baroque
Le Parnasse, ou L'Apotheose de Corelli:IV. Corelli's exaltation at drinking at the waters of Hypocrene.-London Baroque
Le Parnasse, ou L'Apotheose de Corelli:V. After his exaltation, Corelli now falls asleep; his followers attend with some very quiet music.-London Baroque
Le Parnasse, ou L'Apotheose de Corelli:VI. The Muses wake Corelli and place him next to Apollo.-London Baroque
Le Parnasse, ou L'Apotheose de Corelli:VII. Corelli gives thanks.-London Baroque
L'Apothéose de Lulli:I. Lully in the Elysian Fields making music with the spirits of the underworld.-London Baroque
L'Apothéose de Lulli:II. Air for the same.-London Baroque
L'Apothéose de Lulli:III. Mercury flies to the Elysian Fields to warn of Apollo's impending arrival there.-London Baroque
L'Apothéose de Lulli:IV. Descent of Apollo, who comes to offer his violin to Lully and a place on Parnassus.-London Baroque
L'Apothéose de Lulli:V. Subterranean rumblings caused by Lully's contemporaries.-London Baroque
L'Apothéose de Lulli:VI. Lamentations of the same for flutes or very muted violins.-London Baroque
L'Apothéose de Lulli:VII. Lully is elevated to Parnassus.-London Baroque
L'Apothéose de Lulli:VIII. The welcome (both kind and guarded) given to Lully by Corelli and the Italian Muses.-London Baroque
L'Apothéose de Lulli:IX. Lully's thanks to Apollo.-London Baroque
L'Apothéose de Lulli:XI. Lully plays the subject and Corelli accompanies it (First Air); Corelli plays the subject ...and Lully accompanies it (Second Air)-London Baroque
L'Apothéose de Lulli:XII: The Peace of Parnasus (Trio Sonata): I. Gravement-London Baroque
L'Apothéose de Lulli:XIII. The Peace of Parnasus (Trio Sonata): II. Saillie (Vivement)-London Baroque
L'Apothéose de Lulli:XIV. The Peace of Parnasus (Trio Sonata): III. Rondement-London Baroque

L'Apothéose de Lulli:X. Apollo persuades Lully and Corelli that ... French and Italian styles would make perfection in Music: Essay in the form of an overture.-London Baroque相似歌曲

L'Apothéose de Lulli:VII. Lully is elevated to Parnassus.-London Baroque
Sonata No.5 in G Minor: IV. Tempo giusto-Charles Medlam/London Baroque/Richard Egarr
Sonata for Viola da Gamba in D Major, BWV 1028:III. Andante-Jordi Savall/Vadim Sakharov/Ton Koopman
Concerto Grosso in G Minor, Op. 6, No. 6, HWV 324:III. Musette-New Bach Collegium Musicum Leipzig/Max Pommer
Tafelmusik, Pt. 3, Ouverture-Suite in B-Flat Major, TWV 55:B1: III. Allégresse. Vite - Meno mosso-Ton Koopman/Ku Ebbinge/Michel Henry/Monica Huggett/Alison Bury/Amsterdam Baroque Orchestra