Oh Aaron

It is true that Aaron Carter's second album is slightly less creepy than his first, simply because his voice has broken and he no longer sounds as much like a child singing about things far beyond his years. Still, the basic approach hasn't really changed, and he's still singing songs that are clearly directed at kids but written with distinctly adolescent, even adult, overtones. Even songs that are meant to be light, frothy love songs are too knowing about sexuality, always hinting at things that young Aaron just shouldn't know about. Then, there's the cut and paste commercialism of the music, as the producers act like magpies, stealing elements from dance-pop, new wave, dancehall, bubblegum, country, Time-Life oldies, putting them together in a way that would please kids and their parents on the surface (oh look! That song samples "Break My Stride"!) but just seems like disturbing pandering upon close inspection. Not to mention crass, a word that doesn't quite seem to apply,

推荐专辑，当时年幼的我是买过卡带的。整张专辑可听率达到90%，哥们颠覆了当时的我两个常识，一、年龄小也可以创作。二、两个元音Aa居然可以放在一起。整张专辑独立创作，美国音乐史上拥有连续五首十大金曲的最年轻歌手，2岁能歌善舞，7岁组乐队，那年他14岁深邃的小眼睛真真儿是迷惨了我。

有吗？长残了吗？现在不也帅的一批吗

到今天我都记得这张专辑的中文名“天之骄子”