Year Zero

From the Artist This record began as an experiment with noise on a laptop in a bus on tour somewhere. That sound led to a daydream about the end of the world. That daydream stuck with me and over time revealed itself to be much more. I believe sometimes you have a choice in what inspiration you choose to follow and other times you really don't. This record is the latter. Once I tuned into it, everything fell into place... as if it were meant to be. With a framework established, the songs were very easy to write. Things started happening in my "real" life that blurred the lines of what was fiction and what wasn't. The record turned out to be more than a just a record in scale, as you will see over time. Part one is year zero. Concept record. Sixteen tracks. All written and performed by me, produced / programmed by me and Atticus Ross, mixed by Alan Moulder, mastered by Brian "Big Bass" Gardner. Release date: April 17, 2007. What's it about? Well, it takes place about fifteen years in the future. Things are not good. If you imagine a world where greed and power continue to run their likely course, you'll have an idea of the backdrop. The world has reached the breaking point - politically, spiritually and ecologically. Written from various perspectives of people in this world, "year zero" examines various viewpoints set against an impending moment of truth. How does it sound? You will hear for yourself soon enough, but given the point of this document is to provide information... This record is much more of a "sound collage" than recent efforts from me. A lot of it was improvised. It is very tedious describing your own music. It's not just music. It's probably too long, but it felt like the right thing to do to paint the complete picture. It will sound different after a few listens. You can think about it and it will reveal more than you were expecting. You can dance to a lot of it. You can f*** to a lot of it (maybe all of it depending on what you're into).

九寸钉叫好不叫座，人气低迷的一专，但却是摇滚与电音结合的堪称最完美的一专，可以吊达梦龙马老五这一干所谓的电音摇滚乐队，强烈推荐现场版，帅翻爽翻。本专有着九寸钉历专辑中最复杂的故事，最冷静的情感，川特从身陷漩涡的沉沦者成为了冷漠的旁观者与故事的构造、讲述者，具体情节看本楼回复

三体拍电影应该找Trent做原声

如果你喜歡這張專輯 那我們就可以做朋友了

从我个人角度来说，这张电子味太重，不太合我口味。但从整体来说，Trent从这一张专辑开始音乐达到了一个更高的境界，无论是音乐性还是专辑概念上。

year zero总能见到这个诡异的手，据wiki它还有个名字叫“the presence”，它究竟代表什么呢......