Dunkirk (Original Motion Picture Soundtrack)

《敦刻尔克》是由美国华纳兄弟影业出品的战争片，由克里斯托弗·诺兰执导，由汤姆·哈迪、肯尼思·布拉纳、马克·里朗斯、哈里·斯泰尔斯、希里安·墨菲等联合主演。

该片根据二战历史事件“敦刻尔克大撤退”改编，以青年士兵视角讲述了“敦刻尔克大撤退”中，英法军队面对德军所经历的的残酷战斗 。

该片于2017年7月21日在美国上映，9月1日在中国上映。

1940年5月25日至6月4日之间，在德国机械化部队的快速攻势下崩溃的英法联军，在位于法国北部、靠近比利时边境的港口小城敦刻尔克，依靠英国海军和民众自发组织的“无敌舰队”，进行了史上最大规模的军事疏散行动，成功挽救了超过33万8000名来自英国、法国、比利时军人的生命 。

One of the most prolific film composers of the late 20th and early 21st centuries, Hans Zimmer was born September 12, 1957 in Frankfurt, Germany. After relocating to London as a teen, he later wrote advertising jingles for Air-Edel Associates, and in 1980 collaborated with the Buggles on their LP The Age of Plastic and its accompanying hit "Video Killed the Radio Star." A stint with Ultravox followed before Zimmer next surfaced with the Italian avant-garde group Krisma; he then formed a partnership with film composer Stanley Myers, and together they founded the London-based Lillie Yard recording studio. Zimmer and Myers' movie work of the period, which included material for pictures including Moonlighting, Success Is the Best Revenge, Insignificance, and the acclaimed My Beautiful Laundrette, made significant strides in fusing the traditional orchestral aesthetic of film composition with state-of-the-art electronics, and proved highly influential on countless soundtracks to follow. In 1986 Zimmer joined David Byrne and Ryuichi Sakamoto on their Oscar-winning score to The Last Emperor; his work on the apartheid drama A World Apart was his first major solo credit, and led to his Academy Award-nominated score for 1988's Best Picture-winning smash Rain Man. The following year Zimmer again composed the soundtrack for a Best Picture winner, this time Bruce Beresford's Driving Miss Daisy; a remarkably prolific writer, by the time the '90s dawned his music was a Hollywood staple, with a list of hits including Black Rain, Backdraft, Thelma & Louise, A League of Their Own, and Days of Thunder. Zimmer scored his biggest commercial hit in 1994 with his work on Disney's The Lion King; the film's soundtrack garnered countless awards, including an Oscar, a Golden Globe, and two Grammys. Later adapted for the Broadway stage, The Lion King took home the 1998 Tony for Best Musical as well. In 1995, Zimmer also earned a Grammy for his work on Crimson Tide, which was honored as Best Original Score Written for a Motion Picture. Another Academy Award nomination followed for 1996's The Preacher's Wife; that same year, he earned BMI's prestigious Richard Kirk Award for lifetime achievement. Zimmer earned another Oscar nomination for his work on the James L. Brooks comedy As Good as It Gets in 1997, repeating the feat for the third consecutive year in 1998 with his score for the Terrence Malick masterpiece The Thin Red Line. His contributions to The Prince of Egypt also earned a Golden Globe bid earlier that same year. The 2000s marked an auspicious time in the composer's career, as he continued scoring the biggest A-list films of the season, averaging two or three blockbusters a year, including Hannibal, Gladiator, The Last Samurai, and The Da Vinci Code. In 2007, Silva Screen Records released Film Music of Hans Zimmer, a double-disc set highlighting his achievements as a movie music-maker. Later in 2007, he reworked Alf Clausen's zany Simpsons theme into a traditional symphonic film score on The Simpsons Movie. As the 2000s came to a close and the 2010s began, Zimmer's name remained synonymous with blockbusters as he scored later installments in the Sherlock Holmes, Pirates of the Caribbean, and Batman franchises, including 2012's The Dark Knight Rises. His score to Christopher Nolan's 2010 film Inception was nominated for an Academy Award for Best Music and Original Score, and also earned a Saturn from the Academy of Science Fiction, Fantasy & Horror Films for Best Music. Devastated by the Aurora, Colorado shootings in 2012, Zimmer composed a choral arrangement of the Dark Knight Rises theme, simply entitled "Aurora," to help raise money for the victims of the tragedy. In 2014 Zimmer released the score for The Amazing Spider-Man 2, which was issued under the moniker Hans Zimmer & the Magnificent Six and featured contributions from Johnny Marr (the Smiths), Junkie XL, Michael Einziger (Incubus), Andrew Kawczynski, Pharrell Williams, and Steve Mazzaro. Early the next year, he learned he'd been nominated for another Academy Award, this time for his work on Christopher Nolan's sci-fi hit Interstellar. Among other franchise entries, he went on to provide music for 2016's Batman v Superman: Dawn of Justice, which was co-scored with Junkie XL; the BBC nature documentary series Planet Earth II; and the award-winning Hidden Figures, which saw Zimmer working once again with Pharrell Williams. He would also add another Nolan collaboration to his body of work with 2017's Dunkirk. ~ Jason Ankeny

电影院应该设置一个诺兰厅，没有座椅，大家全都跪着看😏

英国飞行员，救上船第一句既不是道谢，也不是问好，而是“下午好”.

我比较心疼那个法国人（吉布森 最后还是没能回家

刷了一遍电影 诺兰的极简主义 悬念感很强 配乐的轰炸让人喘不过气来 不能算是神作但是值得去看

“发起战争的是像我这个年纪的人，为什么要让年轻的孩子们去送死？”

你们都知道星际穿越和敦刻尔克的诺兰神作，然而诺兰大神的蝙蝠侠三部曲给我立下了真正的超级英雄观。

印象最深的是George被打去世后，那个打他的被救士兵问Peter:“他会好起来吗？”本以为Peter会说George去世了，但他没有。随后是老爹的赞许之笑。真的炒鸡炒鸡感动！还有那个飞行员真名叫Jack Lowden帅炸！一摘帽子颜值爆表！！！当然卷儿演技不错呦[憨笑]

诺兰用这部电影告诉我们，身临其境的效果不一定需要3d

对对对那段也超级戳我……从“非常不好”到“会好的”，背后折射出的心理其实是“希望对方背负罪孽”和“希望他宽恕自己”的区别。短短两句台词其实体现出了很巨大的心理上的成长。

看完以后同行的女伴说“有点不太适应这样的叙事方式，感觉像纪录片而不是电影”。但是这就是真实啊。没有超级英雄，没有完满的大结局，面对惊恐呼救的人们有时只能无能为力地观望。这就是战争。

用最贵的演员，露最少的脸

“你看到了什么” 望远镜的镜头中，无数的船只驶来 “祖国”

现在的热评怎么到处都是这种抄袭的段子。。。有点新鲜的么

诺兰新片Tenet没约到寂寞大师，因为被Denis请去配《Dune》了，想想也好，可能将会是这么多年来头一次我看诺兰的片子不在音乐的牛逼上分心

毕竟这种属于战争写实风格的电影不太符合大众口味

“你看到了什么” 望远镜的镜头中，无数的船只驶来 “祖国” 原台词是home，别太感动了

Steven和hans有太多共同之处:1.都是BBC自然纪录片的御用配乐家 2.都有一部著名的太空类作品 3.都曾为DC电影编曲 4.都是奥斯卡配乐的获奖者 5.都为二战电影配过乐

影片开头有一个镜头，一群逃兵，一个士兵伸出手去够房间里熄灭的烟头吸，枪声就响起来，只有一个人活了下来。当时就觉得这个镜头实在太妙了

大家都在感叹导演的拍摄，其实我更欣赏Hanz 的作曲能力，简直是scorer们的劳模啊，看过一部纪录片，他一个人伏案工作到入夜，谈到有关音乐有关orchestra方面的东西时精神焕发，对于音乐的理解永远建立在真实的生活之上，人家把这部影片这段历史揣摩许久才写出并剪辑出这张专辑的，鸡皮疙瘩是对他的尊敬

神作厅差不多，同为大师的导演多着

“我们将在法国作战，我们将在海上和大洋中作战，我们将具有愈来愈大的信心和愈来愈强的力量在空中作战；我们将不惜任何代价保卫我们的岛屿。我们将在海滩上作战；我们将在敌人登陆地点作战；我们将在田野和街头作战；我们将在山区作战；我们决不投降。”

当海平面上出现了大量民船的时候 真的和片中将军一样眼眶湿润 因为这是真事 因为这是人性的光芒 你会联想到丘吉尔之后的演讲 我们会在各处与敌人战斗 但绝不投降 真正的英雄永远是人民 这也是为什么人民支持的一方最终总会胜利

汤姆哈迪最后降落在沙滩上烧了飞机，坦然的被德军抓走，迎接他的毫无疑问是死亡。但他的勇敢和坦然深深震撼了我，他本来是可以活着飞回去的。

在万达看的IMAX早场，电影开画了影厅灯都没关，我出去喊完人再回来正好一声枪响，弓着腰找座位差点儿趴地上……所以，虽然国内的IMAX不是诺兰用IMAX摄像机拍得全画幅，但能看IMAX还是尽量选择IMAX吧，因为它真正配得上IMAX的“看一部电影，还是置身其中”

独特的一部战争片，人性在战争面前显得如此脆弱又强大，但每个人又像战争中的一片片尘埃。不用降低预期去看，喜欢的人自然会很喜欢，不喜欢的甚至前二十分钟都撑不下来。这不是一部讨大众欢心的爆米花电影，而是真正一部致敬敦刻尔克大撤退中那些无名英雄的史诗。