Sonata No. 8 in C minor for Piano, Op. 13 "Pathétique": II. Adagio cantabile:III. Rondo. Allegro-Glenn Gould_无损flac下载_mp3下载

Sonata No. 8 in C minor for Piano, Op. 13 "Pathétique": II. Adagio cantabile:III. Rondo. Allegro-Glenn Gouldmp3下载无损flac下载

Sonata No. 8 in C minor for Piano, Op. 13 "Pathétique": II. Adagio cantabile:III. Rondo. Allegro-Glenn Gould在线试听免费歌词下载

Sonata No. 8 in C minor for Piano, Op. 13 "Pathétique": II. Adagio cantabile:III. Rondo. Allegro-Glenn Gould热门评论

《悲怆奏鸣曲第三乐章》，作曲路德维希·巴赫

贝多芬和巴赫的风格简直是天壤之别，不变的只有我古的手而已（手动滑稽

幸好李斯特不认识拉赫玛尼诺夫，不然听了拉氏钢协，回家一琢磨还能改编出一个更难的版本出来

古尔德经常省略呈示部的反复，这也是时间短的原因，他弹莫扎特也这样

可能有人弹得比我好，但没人弹得比我快乐。——古尔德(雾)

我把各个名家悲怆收集成一个歌单，从头听到尾，听到这个突然感觉非常违和，点开一看，果然是我可爱的古哼哼[大哭]，真就一股子古尔德味

哈哈哈哈，秀啊。不过他是懦夫

在你们纠结贝多芬还是巴赫的时候，古尔德早已经走在了前面，他的音乐表达永远是他自己而不是某位作曲家，至于你们怎么评价古尔德其实并不在乎

路德维希·凡·塞巴斯蒂安·巴赫

可能会把拉赫的交响诗和协奏曲又TM给你改成钢琴版，然后再加点花，裂开

人家弹出来是张弛有度，颗粒饱满，大珠小珠落玉盘，我弹出来就是大型翻车现场...

不，没有人比我弹的好——古尔德[撇嘴]

开头如雨珠倾泻而下的连奏，主部主题洋溢着青春的明快和不可抑制的生命活力，而在欢笑的背后，是微微的不安和骚动。大调的副部主题虽然明朗，却也以急速的运动暗示着心态的不稳定。插部以一种宣言式的坚定语调表达了真正坚强稳定的意志。让人领略到作曲家的自信和潇洒。摘

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