Resurrection

Chapter 13 (Rich Man vs. Poor Man)-Common/Vadim Sakharov

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专辑: Resurrection

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与Ynot在合作并由其制作,采样了Archie Whitewater的《Cross Country》。歌曲以对立的社会身份为主题,通过歌词呈现“富人”与“穷人”的生活态度与价值观。Ynot在歌中扮演自负的富人角色,强调物质财富的象征意义和优越感,而Common则代表底层阶级的自信与自我认同,强调环境与身份的影响而非金钱的支配力。 创作背景上,Common回忆道,当时Twilite Tone曾在另一首曲子《Can-I-Bust》中表现出强烈的个人风格,影响了包括Kanye West在内的后辈艺术家。Tone的制作风格强调个性化与创新,他在《Chapter 13》中刻意不让Common事先听到自己的歌词,以保证两人创作的独立性与原创性。这种做法确保了歌词与节奏的平衡,同时推动了嘻哈音乐在技术与表现上的创新。 在制作手法上,Twilite Tone通过对Detroit Emeralds的《You're Getting a Little Too Smart》鼓点和Archie Whitewater的采样,采用Akai 2800与SP1200设备制作鼓点,形成了简洁却前卫的节奏结构。值得注意的是,这段节奏没有传统的hi-hat伴奏,仅以踢鼓和基本鼓点构建节奏,并使用了当时少见的节奏切分技术(snatch-outs),这种制作方法在十年后才被更多制作者采纳。Tone自己评价,这是他“几乎过于认真地推动嘻哈边界”的作品。

这段话出自The Twilite Tone本人(刊登在Complex网站,标题为:The Making of Common's "Resurrection"),他谈到自己当时的制作理念与技术细节,包括:节奏中没有使用hi-hats,只保留kick和snare,原文:“The beat was also ahead of its time. I didn’t even have hi-hats going on. It was straight kick and drums. The way I was doing snatches—nobody was doing snatch-outs like that back then. It took almost 10 years for other people to do that. I was very adamant about pushing the envelope of hip-hop—I was almost too serious about it.”

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