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"复活" [00:20.946] [00:21.430] Verse 1
第一段 [00:22.081] I stagger in the gatherin' possessed by a patter-in
我踉跄在人群中 被喋喋不休的咒语附身 [00:25.111] That be scatterin'
那咒语正在扩散 [00:25.921] Over the global, my vocals be travelin', unravelin' my abdomen
传遍全球 我的声线在游走 剖开我的腹腔 [00:30.133] It's slime that's babblin' grammatics that are masculine
那是黏液在嘟囔 充满阳刚的文法 [00:32.912] I grab the men, verbally badgering broads
我抓住男人 用言语纠缠女人 [00:35.352] I wish that Madelyne was back on Video LP
多希望玛德琳还在录像带里 [00:37.968] I went against all odds and got a even steven
我逆天改命 最终平分秋色 [00:40.511] Proceed to read and not believin' everything I'm readin'
继续阅读却不敢相信眼前文字 [00:43.081] But my brain was bleedin', needin' feedin', and exercise
但我的大脑在渗血 渴望喂养与锻炼 [00:46.014] I didn't seek the best of buys, it's a lie to textualize
我未曾追求最佳交易 文字化都是谎言 [00:48.547] I analyze where I rest my eyes
我分析目光所及之处 [00:50.397] And chastise the best of guys with punchlines
用妙语鞭挞那些精英 [00:52.361] I'm Nestle when it's crunch-time
紧要关头我就是雀巢 [00:53.795] For your mind like one time
为你的心智来个突然袭击 [00:54.911] If poetry was pussy I'd be sunshine
若诗歌是女人 我便是阳光 [00:57.256] 'Cause I deliver like the Sun-Times
因我像《太阳报》准时送达 [00:59.032] Confined in once-mines on dumb rhymes I combine
困在过往的矿坑 将蠢韵脚重组 [01:01.491] I'm hype like I'm unsigned, my diet I un-swine
亢奋如未签约 我的食谱剔除猪肉 [01:04.068] Eating beef sometimes -- I try to cut back on that shit
偶尔吃牛肉——正努力戒掉这玩意 [01:06.754] This rap shit is truly outta control
这说唱游戏实在失控 [01:09.267] My style is too developed to be arrested
我的风格太过成熟 无法被捕 [01:11.791] It's the freestyle, so now it's out on parole
这是即兴表演 所以现在假释出狱 [01:14.415] They tried to hold my soul in a holding cell so I would sell
他们曾将我的灵魂关押 想逼我屈服 [01:17.155] I bonded with a break and had enough to make bail
我与休止符结盟 攒够保释金 [01:19.746] A Mr. Meaner fell on his knee for the jury
一个吝啬鬼为陪审团下跪 [01:21.836] I asked No for his ID and the judge thought there was two of me
我向"No"索要证件 法官以为我是双胞胎 [01:25.419] Motion for a recess to retest my fingerprints
申请休庭 要求重验指纹 [01:27.807] They relinquished Sense, 'cause I was guilty in a sense
他们放弃了理智 因我确有罪孽 [01:30.510] [01:34.359] "Resurrection"
"复活" [01:37.034] [01:50.571] Verse 2
第二段 [01:51.122] I ride the rhythm like a Schwinn bike when in dim light
我驾驭节奏如骑施文单车在暮色中 [01:53.753] I use insight to enlight devices hit the skin tight
用洞见点燃紧贴皮肤的装置 [01:56.623] Words of wisdom wail from my windpipe, imagination's in flight
智慧箴言从气管呼啸 想象正翱翔 [01:59.988] I send light, like Ben's kite, I've been bright
我放射光芒 如本的风筝 我一直明亮 [02:01.792] Get open like on gym nights and in fights I send rights
像健身房之夜般敞开 在战斗中伸张正义 [02:04.423] Don't hook with skins my friends like, I spend nights up in dykes
别碰我朋友讨厌的妞 我在堤坝彻夜流连 [02:07.125] In spite, I've been indicted as a freak of all trades
尽管如此 我被指控为全能怪胎 [02:09.149] (Doo-doo-doo-doo, doo-doo) I got it made
(嘟-嘟-嘟-嘟 嘟-嘟) 我已成赢家 [02:12.412] I bathe in bass lines, rinse in riffs, dry in drums
我在贝斯线中沐浴 用即兴段冲洗 用鼓点烘干 [02:14.923] Come from a tribe of bums hooked on Negro and mums
来自乞丐部落 沉迷黑人与沉默 [02:17.478] Had to halt with the, malt liquor
不得不停下 那些麦芽酒 [02:19.616] 'Cause off the malt liquor, I fought niggas
因为麦芽酒 我曾与人干架 [02:21.489] Now my speech and thoughts quicker
如今言思皆敏捷 [02:22.793] Cruise the Southside streets with no heat and no sticker
游荡在南区街道 无枪无贴纸 [02:25.286] UAC got my back and we don't get no thicker
UAC是我后盾 我们关系铁板一块 [02:27.986] UAC got my back and we don't get no thicker
UAC是我后盾 我们关系铁板一块 [02:30.608] UAC got my back and we don't, now check it
UAC是我后盾 我们永不 现在听着 [02:33.122] I'm a ho but not a ho nigga, ain't scared of no nigga
我是浪子但非懦夫 不惧任何对手 [02:35.935] When it's my turn to go, I gotta go
当我的时刻来临 我必须启程 [02:37.672] And I'm gone with the storm
我将随风暴离去 [02:39.449] [02:42.444] "Resurrection"
"复活" [03:22.480] Produced by: No I.D.
制作：No I.D. [03:24.616] Samples:Dolphin Dance by Ahmad Jamal Trio / No Delayin' by Nice & Smooth
采样：Ahmad Jamal Trio《Dolphin Dance》/ Nice & Smooth《No Delayin'》
Resurrection-Common热门评论
开场曲《Resurrection》展现了Common的语言能力与思想成熟度。歌曲的节奏以钢琴为主，融合了大量采样，包括David Axelrod的“The Signs Pt. II”、Ahmad Jamal的“Dolphin Dance”、Power of Zeus的“Sorcerer of Isis”、Spirit的“Ice”，以及The Whatnauts的“Why Can't People Be Colors Too?”和“Help Is on the Way”。 DJ Mista Sinista的刮碟技巧与爵士化旋律完美融合，为整首歌增添了自由联想的氛围。Common在歌词中探讨个人成长、理性思考及健康生活方式，例如“Had to halt with the malt liquor”，反映了他对过去生活习惯的反思。 创作背景与Common个人经历紧密相关。当时，他常开着没有暖气、无车牌的红色Toyota Celica GT在芝加哥南区街头巡游，在行驶过程中创作歌词，写到了本曲里。在创作时还受到了Nas的影响（虽然Nas的专辑《Illmatic》尚未发行，但Common通过Bobbito & Stretch的节目听到Nas的表现），被其精湛的叙事和文字运用激发，促使自己在歌词创作上迅速成长，注重文字与诗意的表达。 创作时期也是Common逐步改变饮食习惯的阶段。他开始减少牛肉摄入，并停止食用猪肉。这种变化在歌词中有所体现，他尝试用词语游戏与即兴表达来记录成长与探索，例如“‘I bathe in baselines, rinse in riffs, dry in drums/Come from a tribe of bums, hooked on Negro and Mums’”，其中“Negro”是一种饮品，歌词中记录了他生活中饮酒、社交及创作的片段。 No I.D.在制作过程中起到了关键作用。使用过不同的节拍，制作团队尝试通过刮碟与采样组合形成最终效果。No I.D.此前主要从事House音乐DJ工作，他借鉴Beatnuts的采样技巧，学习挖掘并重构样本，使歌曲呈现独特的嘻哈风格。
【Hip Hop/DJ Premierのオススメ(東海岸)】Common(コモン) ／1990年代名曲・Resurrtion(リザレクション)・・・元ネタ・Ahmad Jamal/Album『The Awaking』収録曲「Dolphin Dance」の31秒辺りから始まるPiano LINE。同じネタ使い曲・Kerone/In All The Wrong Places。
MV我已经传了，MV那版比这一版还多一段，有些地方唱的也有点不同
其实真正的有钱人是很低调的，外表是看不出来的。就拿我来说，虽然我经常骑个破自行车上街，但谁又会知道其实我家里还有一辆电动车
