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[00:00.000] 作词 : KRS One
[00:01.000]You know.. life is funny..
你知道生活如此多姿 [00:04.410]If you don't repeat the actions of your own success you won't be successful
如果你不肯为你想要的目标付出努力，那你就不会成功 [00:09.300]You gotta know your own formula, your own ingredients.What made you, YOU..
你须知适合自己的方法，你自己的性格优劣，是什么成就了你 [00:15.720]1987 I was at the Latin Quarters
1987年我在“拉丁区”演出(纽约一个著名的hiphop演出夜店) [00:17.710]Listenin to Afrika Bambaata give the order
听着Afrika Bambaata所构想的制度 [00:19.720]The call of the order was to avoid the slaughter
这个秩序的提出是为了避免人与人之间的争端（前面夜店老总和KRS-ONE的朋友因暴力争端遭枪杀） [00:21.570]He said, "Record companies ain't got nuttin for ya!"
他说：“唱片公司在这种制度下不会对这一系列的暴力争端毫无办法的。” [00:23.660]Without a lawyer, he taught The Infinity Lessons
他在没有法律解决的情况下教了那些最让我难忘的课 [00:25.870]In how hip-hop could be a, many a blessing
关于嘻哈,如何造福我们的生活 [00:27.510]And that was great, so in 1988，there was no debate, we had to end the hate Afrika
的想法触动了大家，所以在1988年这个圈子变得没有争执，我们必须消灭憎恶 [00:31.800]The name of the game was "Stop the Violence" and unity, knowledge, and self-reliance
我们举行的活动叫 “停止暴力”同时是团结，知识也是信任的象征（hiphop诞生最初的主旨） [00:35.500]We - started talkin bout Martin and Malcolm
我们开始谈论Martin和 Malcolm（主导美国黑人民权运动的两位英雄） [00:37.700]Had these ghetto kids goin, "Huh, what about him?"
那些贫民窟的孩子进来倾听着：“嗯，他们怎么样了？” [00:39.580]1989, Professor Griff speaks his mind but his freedom of speech is declined
1989年，professor Griff在他的舞台敞开心扉（公敌成员）但他在舞台上畅所欲言的权利被逐渐削减 [00:43.600]1990 came with the West coast.East coast, West coast, who is the best coast? 1990
年蹦出了个西海岸。东海岸，西海岸，哪个才是最溜的海岸？ [00:47.270]Lookin back now, of COURSE it was bogus.The whole argument was where we lost focus
回首往昔，这场争执的本质是没营养的。这场海岸大战让我们失去了大众的关注。 [00:51.240]We got hopeless; not with the lyrics and music but with hip-hop, and how we used it
我们觉得特别无助；不是因为歌词和音乐而是因为hiphop和大众对待它的态度 [00:55.000]Or abused it, you know how the crew get."You like it cause you choose it"
要么就在歌里乱骂，你知道那些家伙是怎么看待它的。“你喜欢hiphop是因为你选择了它！” [00:59.220]1991, we opened our eyes with Human Education Against Lies,we tried to talk about the state of humanity 1991
年我们在做H.E.A.L时开阔了自己的领域，我们尝试诉说当今人类的现状。 [01:07.000]They called me "Captain Human", another message was sent"Self Destruction don't pay the {******} rent"
他们管我叫“领头人”，又有人说：“卖Self destruction的钱都不够付房租”（self destruction是krs聚集众多大咖做的一首公益歌曲） [01:11.680]Remember that? Nobody wanted conscious rap
想起了吗？没人想为清醒的说唱音乐买帐 [01:13.800]It was like - where these ballers at?Where can they call us at? All was wack
这就像是-呆瓜们只会问“那些球员们在哪？我们在哪能见到他们?”（或指没人愿意理解意识说唱的内涵）都是怪人 [01:17.000]Hip-Hop culture was fallin flat and that was that
嘻哈文化变得越来越单调的事实越来越凸显 [01:19.170]So in 1992, I found my crew.They said, "Yo Kris, what you wanna do?"
所以在1992年，我找到了自己的团队（bdp）。他们说，“KRS,这次你想干啥？”（93年以个人名义做歌） [01:22.750]I said, "Damn - why they wanna get with me?If I bust they {****} I'm contradictory.
我说：“嘿！为什么他们(bdp)想跟我混？要是我打破了和他们的关系我会矛盾不已 [01:27.000]If I play the ***** role, they take my shoe.Tell me what the {****} am I supposed to do?"
如果我成了破坏关系的那个角色，他们便会拆我的台。告诉我究竟该怎么做？” [01:31.000]So I did it, don't stop get it get it get it.All of a sudden these critics they wanna spit it
于是我不让他们跟我一起做。突然地这些嘴炮王们就想喷我了 [01:35.250]"Kay Are Ess One is con-tra-dic-to-ry"Just cause I wouldn't let these rappers get with me
“krs-one那怂包还在犹豫不决。”就因为我不让这些rappers跟我混 [01:39.000]{****} that, {****} you and {****} your pen.If a rapper wanna diss, yo I'd do it again
废渣玩意带上你的笔一起滚吧，如果有rapper想diss尽管来，我会让你折服 [01:42.650]But I'm makin these ends, and I got my friends
但我和我的朋友们就这么算了 [01:44.680]And I really don't wanna have to sit in the pen.So I go back to the philosopher
我实在不想和那些家伙在笔杆子上坐死。所以，我又继续做我的“hiphop老师” [01:49.000]1993 hip-hop is uhh.. wack.Go back, check the facts
93年hiphop就像个怪人，回首前人之迹。 [01:52.490]1994, "Return of the Boom Bap"It wasn't all about the loot.It was all about Harry Allen Rhythm Cultural Institute 1
994年“Return of the Boom Bap”发布了。这张专的完成要归功于Harry Allen的“说唱文化研究所” [01:58.430]Blowin up, 1995.Conscious rap is still alive
95年Blowing up这张专让我看到有思想的说唱依旧存在 [02:02.550]But nobody wanna play it, nobody wanna say it.Nobody okayed it, they'd all rather hate it
但没人想要清醒地去唱、去说，没人肯定它，他们还活在这该死的混沌现实中 [02:06.660]1996 it really don't stop.We put together somethin called the Temple of Hip-Hop
96我依旧没有停止我所做的事，我和我的兄弟搞起了the Temple of Hip-Hop [02:10.790]Not just DJin, breakin, graf and lyrics.But how hip-hop affects the spirit
它的内容不仅仅包含了DJ、霹雳舞、涂鸦和说唱，而且还告诉你hiphop如何影响到我们的思想 [02:14.790]"Step Into a World," that's what I did “
走进同一个世界”这就是我在做的 [02:17.000]1997 I was raisin my kid or kids, but I, had to go 1997
年我细心地栽培我的孩子（作品），但我不得不离开 [02:20.510]Cause New York DJ's changed the flows to clothes and hoes, but that wasn't me
因为纽约的那些的DJ们改了他们的flows，穿着的风格换了，身边的女人也都换了个遍。但我不会因此而改变。 [02:24.450]I'll be damned if I dance for the MTV
我要是去MTV跳舞的话会被骂的狗血临头 [02:26.460]So in 1998 I began to debate.Should I go now, or should I really wait?
于是在98年我开始仔细考虑未来，我是应该现在退出说唱圈还是继续等待？ [02:30.380]'99, I moved to L.A. you see and took a gig with the WB
如你所知99年我搬到了L.A还找了个在WB的工作 [02:34.560]Started studyin philosophy full-time.To have a full heart, full body, full mind
开始每日每夜地学习（哲学）知识来充实我的身心 [02:38.420]But you know what the problem is or was?
但你知道出现了什么问题吗? [02:41.000]DJ's don't raise our kids, cuz they so caught up in the cash and jewels DJ
们不花心思改善我的作品，因为他们的眼中只有钱 [02:44.290]How they gonna really see a hip-hop school?How they gonna really see a hip-hop temple?
他们的眼中还有hiphop school和hiphop temple吗？ [02:48.440]They don't even wanna play my instrumentals, but big up Dr. Dre, Snoop, Xzibit
那些崽子们甚至不想整我的伴奏，但那些冉冉新星们，Dr. Dre, Snoop, Xzibit [02:52.570]Especially Xzibit, he was there in a minute
尤其是Xzibit，他在公司里呆了段时间 [02:54.380]Mic Conception, all of them, said"Yo you need help? I should call them"
那些说唱界的领头人们对我说：“老哥，如需帮助，解囊相助” [02:59.000]When I was in L.A., I held the crown.Bloods, Crips, they held me down
当我在洛杉矶的时候，老子曾如日中天。不过血帮瘸帮（指一些当头红的rapper）的势头把我压了下来 [03:02.070]I could never forget Mad Lion, killer pride with the gat in the lap in the low-ride
我永远忘不了和MAD LION和killer pride在跳跳公路车里潇洒的日子 [03:05.500]Oh I can't forget, Icy Ice, Lucky Lou.Julio G, that was the crew Davey D, Ingrid, David Connor
也忘不了我的兄弟们Icy Ice, Lucky Lou，Julio G，Davey D, Ingrid, David Connor.Davey D, Ingrid, David Connor [03:12.300]The list goes on and on, let me tell ya FredWreck, and my man Protest.Much respect, no less
我的团队多了FredWreck和Protest且人数还有所增长。即便如此，团队里和睦一团。 [03:17.690]To my spiritual and mental defenders.Big up to L.A., temple members
对发家于L.A的temple成员，我精神上和心灵上的捍卫者表示感谢 [03:21.370]But in 2000, I seen how I wanted to live.I wasn't no executive
但在2000年，我渴望去演出。但在公司我又不是什么总经理 [03:25.960]So I picked up the mic and I quit my job.Said to Simone I gotta get with God
所以我辞去工作重新拿起了麦。和Simone说以后的生活就听天由命了 [03:29.800]She said, "Don't worry bout these dollars and quarters.Record companies ain't got nuttin for ya."
她说：“别太在意这些金钱，做歌的主旨不在于这些。”（告诫勿被金钱迷人眼） [03:33.870]Damn, she took me back to Bam!.Took me back to who I am!
嘿！她让我违背了自己的意愿！带我找回了自己！ [03:37.600]Brought me back to the New York land!Now I overstand!..
带我回到了纽约！如今，我有了新的定向！ [03:46.000]{interviewer}Now KRS-One, now you've been quoted as saying that rap is something we do, hip-hop is something you live.
采访者：KRS-ONE，现在我引述你的一句话说，说唱是我们的产物而嘻哈却是我们生活的方式 [03:52.740]{KRS} Yes! KRS-ONE:
是的 [03:54.030]{interviewer}Explain that to us please.
采访者：请向大家解释一下为何这么说 [03:55.430]{KRS-One}Well, well, today hip-hop, we are advocating that hip-hop is not,just a music, it is an attitude, it is an awareness, it is a way to view the world.
嗯~嘻哈走到今天，我们一直在告诉大众，嘻哈不只是音乐形式，它是一种态度，是一种意识，是我们去看世界的方式 [04:05.760]So rap music, is something we do, but HIP-HOP,is something we live.
所以说唱音乐是我们的产物，而嘻哈，则是我们灵感的源泉 [04:12.000]And we look at hip-hop, in it's 9 elements;
今天我们看嘻哈被分成了九个部分 [04:15.000]which is breaking, emceeing, graffiti art, deejaying, beatboxing,street fashion, street language, street knowledge, and street entrepenurialism - trade and business.
它包含着霹雳舞，说唱，涂鸦艺术，bbox，街头潮流，街头语言，街头知识以及街头的创业精神-街头交易和街头生意 [04:25.780]And uhh, that's where y'know that's the hip-hop that that that we're about.
然后你知道嘻哈来自…… [04:29.900]We come from the uhh the root of, of Kool DJ Herc, who originated hip-hop in the early
70's 嘻哈源于DJ Kool Herc--在70年代早期创造嘻哈的始祖 [04:37.500]and then Afrika Bambaata and Zulu Nation (mmhmm) who instigated something called The Infinity Lessons
后来Afrika Bambaata和Zulu Nation开办了The Infinity Lessons，而且在嘻哈里加入了自己的理念 [04:43.190]and added conciousness to hip-hop, and then Grandmaster Flashwith the invention of the mixer, on to Run-D.M.C. and then myself.
再后来Grandmaster Flash发明了混音技术，在Run-D.M.C.和我的音乐都有用到 [04:51.420]And uhh, we created the "Stop the Violence" movement, you may recall a song, "Self Destruction" and and and so on.
我们举办了一个叫"停止暴力"的活动，说起这个你会想起一首歌叫Self Destruction [04:58.700]All of this, goes to uhh uhh, the idea of LIVING this culture out and taking responsibility for how it looks and and acts in society.
我们所做的这一切是想通过这个文化活出自己的味儿，也尽起我们对社会的责任。
你知道生活如此多姿 [00:04.410]If you don't repeat the actions of your own success you won't be successful
如果你不肯为你想要的目标付出努力，那你就不会成功 [00:09.300]You gotta know your own formula, your own ingredients.What made you, YOU..
你须知适合自己的方法，你自己的性格优劣，是什么成就了你 [00:15.720]1987 I was at the Latin Quarters
1987年我在“拉丁区”演出(纽约一个著名的hiphop演出夜店) [00:17.710]Listenin to Afrika Bambaata give the order
听着Afrika Bambaata所构想的制度 [00:19.720]The call of the order was to avoid the slaughter
这个秩序的提出是为了避免人与人之间的争端（前面夜店老总和KRS-ONE的朋友因暴力争端遭枪杀） [00:21.570]He said, "Record companies ain't got nuttin for ya!"
他说：“唱片公司在这种制度下不会对这一系列的暴力争端毫无办法的。” [00:23.660]Without a lawyer, he taught The Infinity Lessons
他在没有法律解决的情况下教了那些最让我难忘的课 [00:25.870]In how hip-hop could be a, many a blessing
关于嘻哈,如何造福我们的生活 [00:27.510]And that was great, so in 1988，there was no debate, we had to end the hate Afrika
的想法触动了大家，所以在1988年这个圈子变得没有争执，我们必须消灭憎恶 [00:31.800]The name of the game was "Stop the Violence" and unity, knowledge, and self-reliance
我们举行的活动叫 “停止暴力”同时是团结，知识也是信任的象征（hiphop诞生最初的主旨） [00:35.500]We - started talkin bout Martin and Malcolm
我们开始谈论Martin和 Malcolm（主导美国黑人民权运动的两位英雄） [00:37.700]Had these ghetto kids goin, "Huh, what about him?"
那些贫民窟的孩子进来倾听着：“嗯，他们怎么样了？” [00:39.580]1989, Professor Griff speaks his mind but his freedom of speech is declined
1989年，professor Griff在他的舞台敞开心扉（公敌成员）但他在舞台上畅所欲言的权利被逐渐削减 [00:43.600]1990 came with the West coast.East coast, West coast, who is the best coast? 1990
年蹦出了个西海岸。东海岸，西海岸，哪个才是最溜的海岸？ [00:47.270]Lookin back now, of COURSE it was bogus.The whole argument was where we lost focus
回首往昔，这场争执的本质是没营养的。这场海岸大战让我们失去了大众的关注。 [00:51.240]We got hopeless; not with the lyrics and music but with hip-hop, and how we used it
我们觉得特别无助；不是因为歌词和音乐而是因为hiphop和大众对待它的态度 [00:55.000]Or abused it, you know how the crew get."You like it cause you choose it"
要么就在歌里乱骂，你知道那些家伙是怎么看待它的。“你喜欢hiphop是因为你选择了它！” [00:59.220]1991, we opened our eyes with Human Education Against Lies,we tried to talk about the state of humanity 1991
年我们在做H.E.A.L时开阔了自己的领域，我们尝试诉说当今人类的现状。 [01:07.000]They called me "Captain Human", another message was sent"Self Destruction don't pay the {******} rent"
他们管我叫“领头人”，又有人说：“卖Self destruction的钱都不够付房租”（self destruction是krs聚集众多大咖做的一首公益歌曲） [01:11.680]Remember that? Nobody wanted conscious rap
想起了吗？没人想为清醒的说唱音乐买帐 [01:13.800]It was like - where these ballers at?Where can they call us at? All was wack
这就像是-呆瓜们只会问“那些球员们在哪？我们在哪能见到他们?”（或指没人愿意理解意识说唱的内涵）都是怪人 [01:17.000]Hip-Hop culture was fallin flat and that was that
嘻哈文化变得越来越单调的事实越来越凸显 [01:19.170]So in 1992, I found my crew.They said, "Yo Kris, what you wanna do?"
所以在1992年，我找到了自己的团队（bdp）。他们说，“KRS,这次你想干啥？”（93年以个人名义做歌） [01:22.750]I said, "Damn - why they wanna get with me?If I bust they {****} I'm contradictory.
我说：“嘿！为什么他们(bdp)想跟我混？要是我打破了和他们的关系我会矛盾不已 [01:27.000]If I play the ***** role, they take my shoe.Tell me what the {****} am I supposed to do?"
如果我成了破坏关系的那个角色，他们便会拆我的台。告诉我究竟该怎么做？” [01:31.000]So I did it, don't stop get it get it get it.All of a sudden these critics they wanna spit it
于是我不让他们跟我一起做。突然地这些嘴炮王们就想喷我了 [01:35.250]"Kay Are Ess One is con-tra-dic-to-ry"Just cause I wouldn't let these rappers get with me
“krs-one那怂包还在犹豫不决。”就因为我不让这些rappers跟我混 [01:39.000]{****} that, {****} you and {****} your pen.If a rapper wanna diss, yo I'd do it again
废渣玩意带上你的笔一起滚吧，如果有rapper想diss尽管来，我会让你折服 [01:42.650]But I'm makin these ends, and I got my friends
但我和我的朋友们就这么算了 [01:44.680]And I really don't wanna have to sit in the pen.So I go back to the philosopher
我实在不想和那些家伙在笔杆子上坐死。所以，我又继续做我的“hiphop老师” [01:49.000]1993 hip-hop is uhh.. wack.Go back, check the facts
93年hiphop就像个怪人，回首前人之迹。 [01:52.490]1994, "Return of the Boom Bap"It wasn't all about the loot.It was all about Harry Allen Rhythm Cultural Institute 1
994年“Return of the Boom Bap”发布了。这张专的完成要归功于Harry Allen的“说唱文化研究所” [01:58.430]Blowin up, 1995.Conscious rap is still alive
95年Blowing up这张专让我看到有思想的说唱依旧存在 [02:02.550]But nobody wanna play it, nobody wanna say it.Nobody okayed it, they'd all rather hate it
但没人想要清醒地去唱、去说，没人肯定它，他们还活在这该死的混沌现实中 [02:06.660]1996 it really don't stop.We put together somethin called the Temple of Hip-Hop
96我依旧没有停止我所做的事，我和我的兄弟搞起了the Temple of Hip-Hop [02:10.790]Not just DJin, breakin, graf and lyrics.But how hip-hop affects the spirit
它的内容不仅仅包含了DJ、霹雳舞、涂鸦和说唱，而且还告诉你hiphop如何影响到我们的思想 [02:14.790]"Step Into a World," that's what I did “
走进同一个世界”这就是我在做的 [02:17.000]1997 I was raisin my kid or kids, but I, had to go 1997
年我细心地栽培我的孩子（作品），但我不得不离开 [02:20.510]Cause New York DJ's changed the flows to clothes and hoes, but that wasn't me
因为纽约的那些的DJ们改了他们的flows，穿着的风格换了，身边的女人也都换了个遍。但我不会因此而改变。 [02:24.450]I'll be damned if I dance for the MTV
我要是去MTV跳舞的话会被骂的狗血临头 [02:26.460]So in 1998 I began to debate.Should I go now, or should I really wait?
于是在98年我开始仔细考虑未来，我是应该现在退出说唱圈还是继续等待？ [02:30.380]'99, I moved to L.A. you see and took a gig with the WB
如你所知99年我搬到了L.A还找了个在WB的工作 [02:34.560]Started studyin philosophy full-time.To have a full heart, full body, full mind
开始每日每夜地学习（哲学）知识来充实我的身心 [02:38.420]But you know what the problem is or was?
但你知道出现了什么问题吗? [02:41.000]DJ's don't raise our kids, cuz they so caught up in the cash and jewels DJ
们不花心思改善我的作品，因为他们的眼中只有钱 [02:44.290]How they gonna really see a hip-hop school?How they gonna really see a hip-hop temple?
他们的眼中还有hiphop school和hiphop temple吗？ [02:48.440]They don't even wanna play my instrumentals, but big up Dr. Dre, Snoop, Xzibit
那些崽子们甚至不想整我的伴奏，但那些冉冉新星们，Dr. Dre, Snoop, Xzibit [02:52.570]Especially Xzibit, he was there in a minute
尤其是Xzibit，他在公司里呆了段时间 [02:54.380]Mic Conception, all of them, said"Yo you need help? I should call them"
那些说唱界的领头人们对我说：“老哥，如需帮助，解囊相助” [02:59.000]When I was in L.A., I held the crown.Bloods, Crips, they held me down
当我在洛杉矶的时候，老子曾如日中天。不过血帮瘸帮（指一些当头红的rapper）的势头把我压了下来 [03:02.070]I could never forget Mad Lion, killer pride with the gat in the lap in the low-ride
我永远忘不了和MAD LION和killer pride在跳跳公路车里潇洒的日子 [03:05.500]Oh I can't forget, Icy Ice, Lucky Lou.Julio G, that was the crew Davey D, Ingrid, David Connor
也忘不了我的兄弟们Icy Ice, Lucky Lou，Julio G，Davey D, Ingrid, David Connor.Davey D, Ingrid, David Connor [03:12.300]The list goes on and on, let me tell ya FredWreck, and my man Protest.Much respect, no less
我的团队多了FredWreck和Protest且人数还有所增长。即便如此，团队里和睦一团。 [03:17.690]To my spiritual and mental defenders.Big up to L.A., temple members
对发家于L.A的temple成员，我精神上和心灵上的捍卫者表示感谢 [03:21.370]But in 2000, I seen how I wanted to live.I wasn't no executive
但在2000年，我渴望去演出。但在公司我又不是什么总经理 [03:25.960]So I picked up the mic and I quit my job.Said to Simone I gotta get with God
所以我辞去工作重新拿起了麦。和Simone说以后的生活就听天由命了 [03:29.800]She said, "Don't worry bout these dollars and quarters.Record companies ain't got nuttin for ya."
她说：“别太在意这些金钱，做歌的主旨不在于这些。”（告诫勿被金钱迷人眼） [03:33.870]Damn, she took me back to Bam!.Took me back to who I am!
嘿！她让我违背了自己的意愿！带我找回了自己！ [03:37.600]Brought me back to the New York land!Now I overstand!..
带我回到了纽约！如今，我有了新的定向！ [03:46.000]{interviewer}Now KRS-One, now you've been quoted as saying that rap is something we do, hip-hop is something you live.
采访者：KRS-ONE，现在我引述你的一句话说，说唱是我们的产物而嘻哈却是我们生活的方式 [03:52.740]{KRS} Yes! KRS-ONE:
是的 [03:54.030]{interviewer}Explain that to us please.
采访者：请向大家解释一下为何这么说 [03:55.430]{KRS-One}Well, well, today hip-hop, we are advocating that hip-hop is not,just a music, it is an attitude, it is an awareness, it is a way to view the world.
嗯~嘻哈走到今天，我们一直在告诉大众，嘻哈不只是音乐形式，它是一种态度，是一种意识，是我们去看世界的方式 [04:05.760]So rap music, is something we do, but HIP-HOP,is something we live.
所以说唱音乐是我们的产物，而嘻哈，则是我们灵感的源泉 [04:12.000]And we look at hip-hop, in it's 9 elements;
今天我们看嘻哈被分成了九个部分 [04:15.000]which is breaking, emceeing, graffiti art, deejaying, beatboxing,street fashion, street language, street knowledge, and street entrepenurialism - trade and business.
它包含着霹雳舞，说唱，涂鸦艺术，bbox，街头潮流，街头语言，街头知识以及街头的创业精神-街头交易和街头生意 [04:25.780]And uhh, that's where y'know that's the hip-hop that that that we're about.
然后你知道嘻哈来自…… [04:29.900]We come from the uhh the root of, of Kool DJ Herc, who originated hip-hop in the early
70's 嘻哈源于DJ Kool Herc--在70年代早期创造嘻哈的始祖 [04:37.500]and then Afrika Bambaata and Zulu Nation (mmhmm) who instigated something called The Infinity Lessons
后来Afrika Bambaata和Zulu Nation开办了The Infinity Lessons，而且在嘻哈里加入了自己的理念 [04:43.190]and added conciousness to hip-hop, and then Grandmaster Flashwith the invention of the mixer, on to Run-D.M.C. and then myself.
再后来Grandmaster Flash发明了混音技术，在Run-D.M.C.和我的音乐都有用到 [04:51.420]And uhh, we created the "Stop the Violence" movement, you may recall a song, "Self Destruction" and and and so on.
我们举办了一个叫"停止暴力"的活动，说起这个你会想起一首歌叫Self Destruction [04:58.700]All of this, goes to uhh uhh, the idea of LIVING this culture out and taking responsibility for how it looks and and acts in society.
我们所做的这一切是想通过这个文化活出自己的味儿，也尽起我们对社会的责任。
Hiphop Knowledge-KRS-One热门评论
等到999中国已经换了风格[奸笑][奸笑][奸笑]
一听前奏就知道接下来的几分钟肯定不会白过[色][憨笑]
