Synchronicity II (2003 Stereo Remastered Version)-The Policemp3下载无损flac下载
Synchronicity II (2003 Stereo Remastered Version)-The Police在线试听免费歌词下载
又是一个城郊家庭的普通早晨 [00:46.35] [00:48.72]Grandmother screaming at the wall
祖母对着墙尖叫着 [00:52.15] [00:54.78]We have to shout above the din of our rice crispies
我们得大声喊叫着来压过脆爆米的噪音 [00:58.84] [01:01.03]We can't hear anything at all
我们什么也听不见 [01:04.22] [01:06.41]Mother chants her litany of boredom and frustration
母亲吟咏着她冗长的无聊与沮丧 [01:11.41] [01:12.15]But we know all her suicides are fake
但我们知道她的自杀都是假装 [01:15.53] [01:18.47]Daddy only stares into the distance
父亲只是盯着不远处的虚空 [01:21.97] [01:24.54]There's only so much more that he can take
他能承受的只有这么多了 [01:29.03] [01:30.85]Many miles away something crawls from the slime
数里之外有什么东西从粘液中爬出 [01:35.47] [01:36.09]At the bottom of a dark Scottish lake
在苏格兰一座黑暗的湖底 [01:40.10] [01:43.72]Another industrial ugly morning
又是一个工业时代的丑恶早晨 [01:47.03] [01:48.59]The factory belches filth into the sky
工厂朝天空喷吐着污秽 [01:52.42] [01:55.42]He walks unhindered through the picket lines today
他畅通无阻地走过罢工者组成的人墙 [01:59.29] [02:01.60]He doesn't think to wonder why
他也不想知道其原因 [02:04.66] [02:06.73]The secretaries pout and preen like cheap tarts in a red light street
秘书们打扮得像是红灯区的便宜女人 [02:12.79]But all he ever thinks to do is watch
但他只想看看 [02:16.29] [02:18.74]And every single meeting with his so called superior
每一场与他所谓上级开的会议 [02:23.12] [02:24.37]Is a humiliating kick in the crotch
都像是一种羞辱 [02:27.05] [02:31.12]Many miles away something crawls to the surface
数里之外 什么东西爬上了 [02:35.74] [02:36.49]Of a dark Scottish loch
一座苏格兰湖泊的湖面 [02:38.49] [03:07.93]Another working day has ended
又一个工作日结束了 [03:11.74] [03:13.93]Only the rush hour hell to face
面对着地狱般的晚高峰 [03:16.80] [03:19.55]Packed like lemmings into shiny metal boxes
像旅鼠一样被装进锃亮的金属盒子里 [03:24.05] [03:24.95]Contestants in a suicidal race
如同自杀性竞赛的参赛者 [03:28.58] [03:30.89]Daddy grips the wheel and stares alone into the distance
父亲紧紧抓着方向盘 独自盯着不远处的虚空 [03:35.51] [03:36.83]He knows that something somewhere has to break
他知道某地有某物必须挣脱束缚 [03:41.08] [03:42.70]He sees the family home now looming in his headlights
现在他看到家就在汽车头灯照射到的地方赫然耸立着 [03:47.96] [03:48.95]The pain upstairs that makes his eyeballs ache
回家的痛苦让他的眼球作痛 [03:53.82] [03:57.95]Many miles away there's a shadow on the door
数里之外 一座黑暗的苏格兰湖泊 [04:02.32] [04:03.19]Of a cottage on the shore
岸边矗立着一座小屋 [04:04.95] [04:06.14]Of a dark Scottish lake
屋门上悄然出现了一道阴影... [04:16.89] [04:20.07]Many miles away
数里之外 [04:24.19] [04:26.01]Many miles away
数里之外 [04:30.14] [04:32.02]Many miles away
数里之外 [04:36.76] [04:37.82]Many miles away
数里之外 [04:42.45] [04:43.64]Many miles away
数里之外 [04:47.57] [04:48.70]Many miles away
有什么东西出现了...
Synchronicity II (2003 Stereo Remastered Version)-The Police热门评论
被形容为“强硬”“冷峻”，也是专辑中最具攻击性与摇滚张力的作品之一。歌词围绕“共时性”概念展开，直接引用荣格提出的非因果、但具象征意义的并行事件理论。 叙事结构并置两条线索：一条描绘一名被家庭、工作与社会环境持续压迫的普通男性，其日常充满羞辱、忽视与情绪崩溃的边缘状态； 另一条则描写苏格兰湖泊中怪物浮现的传闻，明确指向尼斯湖水怪。这一“怪物”并非现实威胁，而是主人公内在焦虑的象征性外化，两条线索在情绪强度上同步升级，构成歌曲的核心隐喻结构。 Sting本人曾明确表示，这首歌并非讲述逻辑因果关系，而是象征层面上的并行与呼应。 在文学来源上，评论者常将歌曲与叶芝的诗作《再临》相提并论，两者皆以文明失序、旧秩序崩解与潜在violence的浮现为主题背景，但〈Synchronicity II〉将这一宏观焦虑压缩进日常家庭与职场情境之中，使抽象概念具备现实触感。 音乐层面上，这首歌是The Police后期少数由吉他主导的单曲。Andy Summers刻意放弃以往清晰、空间感强的音色，转而使用高增益失真与强烈反馈，形成近乎末世感的音墙效果。 他回忆录音时使用Stratocaster搭配两台全功率Marshall音箱，长时间操控反馈与噪音，以获得失控边缘的声音质感。这种处理方式与歌词中的精神紧绷状态形成直接对应，也使该曲成为Summers在乐队后期最具存在感的演奏之一。 在专辑构想阶段，〈Synchronicity II〉原计划紧接〈Synchronicity I〉出现，中间以一段名为“The Loch”的氛围性过渡音乐衔接，用以象征水怪潜伏与显现。但这一方案最终未被采纳，部分原因在于唱片公司认为其过于迷幻，不利于整体结构。 该段音乐后来以〈Loch〉之名收录于2024年《Synchronicity》40周年Super Deluxe版本中，成为理解专辑早期结构设想的重要补充材料。
beyond早期的编曲真的有警察乐队的影子，另外这遣词能力真强啊
Andy Summers绝对是被低估了的吉他大师
